|
A Study Guide This Page Has Been Revised, Enlarged, and Moved to http://www.shakespearestudyguide.com/Macbeth.html#Macbeth Study Guide Prepared by Michael J. Cummings.©.2003 Type of Work .......Macbeth is a stage play in the form of a tragedy. It is one of several Shakespeare plays in which the protagonist commits murder. Other such plays are Richard III, Othello, and Julius Caesar (Brutus). Macbeth is the shortest of Shakespeare's tragedies. It has no subplots. Date Written: Probably by 1605 but no later than 1607. .......Shakespeare based Macbeth primarily on accounts in The Chronicles of England, Scotland and Ireland (Holinsheds Chronicles), by Raphael Holinshed (?-1580?), who began work on this history under the royal printer Reginald Wolfe. The first edition of the chronicles was published in 1577 in two volumes. Shakespeare may also have used Declaration of Egregious Popishe Impostures (1603), by Samuel Harsnett; Rerum Scoticarum Historia (1582), by George Buchanan; and published reports of witch trials in Scotland. .......Macbeth takes place in northern Scotland and in England. The scenes in Scotland are set at or near King Duncans castle at Forres, at Macbeths castle on Dunsinane Hill in the county of Inverness, and in countryside locales where the three witches meet. A scene is also set at a castle in England. Characters .......While camped near his castle at Forres in the Moray province of northeastern Scotland, the Scottish king, Duncan, receives news of the fighting from a wounded sergeant: Macbeth has defeated and beheaded a turncoat rebel leader named Macdonwald and fixd his head upon our battlements (1.2.27). When the Norwegians launched a new assault, the sergeant says, Macbeth and another general, Banquo, set upon their foes like lions upon hares. Ross, a Scottish lord, then arrives to report the coup de grâce: Duncans forces have vanquished the Norwegians and a Scottish defector, the thane (lord) of Cawdor1. The Scots extracted a tribute of ten thousand dollars from the Norwegian king, Sweno, who is begging terms of peace. After ordering Cawdors execution, Duncan decides to confer the title of the disloyal Cawdor on the heroic Macbeth. .......Meanwhile, on their way to the kings castle, Macbeth and Banquo happen upon the three witches, now reconvened in the heath, while thunder cracks and rumbles. The First Witch addresses Macbeth as Thane of Glamis2, a title Macbeth inherited from his father, Sinel. When the Second Witch addresses him as Thane of Cawdor, Macbeth is dumbfounded. (He has not yet received news that the king has bestowed on him the title of the traitorous Cawdor.) The Third Witch then predicts that Macbeth will one day become king and that Banquo will beget a line of kings, although he himself will not ascend the throne. Macbeth commands the witches to explain their prophecies, but they vanish. Shortly thereafter, other Scottish soldiersRoss and Anguscatch up with Macbeth and Banquo to deliver a message from the king: He is greatly pleased with Macbeths battlefield valor and, says Ross, He bade me, from him, call thee Thane of Cawdor (1.3.112). The almost immediate fulfillment of the Second Witchs prophecy makes Macbeth yearn for the fulfillment of the Third Witchs prophecy, that he will become king. He begins to think about murdering Duncan even though the prospect of committing such a deed doth unfix my hair / And make my seated heart knock at my ribs (1.3.147-148). .......Forres is in northeastern Scotland. After William I became King of Scotland in 1165, the castle at Forres served as a sort of hunting lodge for royalty. The real-life Macbeth and Duncan were among those said to have used the castle. Nearby is a curious tourist attraction, the Witches Stone, where accused witches
were burned. .......After Macbeth presents himself before Duncan, the king heaps praises on the general for his battlefield prowess and announces that he will visit Macbeth at his castle at Inverness. Macbeth is in his glory, but his jubilation is tempered by the fact that the kings sonMalcolm, Prince of Cumberlandis heir to the Scottish throne. In a whisper, he says to himself: .......The Prince of Cumberland! That is a step Thus his appetite is further whetted for murder. Bursting with pride and ambition, Macbeth sends a letter home to his wife, Lady Macbeth, informing her of the prediction of the witches, who have more in them than mortal knowledge (1. 5. 3), that he will one day become king. Lady Macbeth immediately wonders why he should wait
for that one day. He could murder Duncan and gain the throne now. But she fears he lacks what it takes to do the deed. She says that his nature is too full o the milk of human kindness / To catch the nearest way [murder]. . . (1.5.6-7). A messenger arrives to tell Lady Macbeth that King Duncan will visit her and Macbeth that very night. Excited by the prospect of the kings visitand the
murderous reception he will receiveLady Macbeth recites some of the most chilling and cold-hearted lines in all of Shakespeare: ............................The raven himself is hoarse .............. look like the innocent flower, .......After Duncan arrives at Macbeth's castle with his sons and his entourage, Lady Macbeth greets the king while Macbeth broods elsewhere in the castle. He is having second thoughts about the murder plot. After the feast begins, Macbeth enters the dining hall, still ruminating about his sinister
plans. To kill a king is a terrible thing. His wife, who has been looking for him, follows not far behind him. Macbeth speaks his mind to her: ....... I have given suck, and know ..............Approach the chamber, and destroy your sight .......Macduff then awakens everyone, shouting, Murder and treason! (2.3.55). Before anyone can investigate, Macbeth kills the guards, claiming their bloodied daggers are proof that they committed the foul deed. Duncans sons, Malcolm and Donalbain, do not for a moment believe Macbeth.
However, fearing for their own lives, they flee Themes Ambition .......Great ambition, or inordinate lust for power, ultimately brings ruin. For ignoring this ancient rule of living, Macbeth and Lady Macbeth pay with their lives. Deceit .......In Macbeth, evil frequently wears a pretty cloak. Early in the play, the three witches declare that fair is foul, a paradox suggesting that whatever appears good is really bad. For example, murdering Duncan appears to be a fair idea to Macbeth and Lady Macbeth, for Macbeth
would accede to the throne. But the Macbeths soon discover that only bad has come of their deed, and their very livesand immortal soulsare in jeopardy. Macbeth also perceives the prophecies made by the armed head and the bloody child as good omens; in fact, these prophecies are deceptive wordplays that foretell Macbeths downfall. In a further exposition of the theme of deceptive
appearances, King Duncan speaks the following lines when arriving at Macbeths castle: This castle hath a pleasant seat; the air / Nimbly and sweetly recommends itself / Unto our gentle senses (1. 6.3-5). But be the serpent under t. (1.5.63-64) Away, and mock the time with fairest show: To show an unfelt sorrow is an office .......Temptation can defeat even the strongest human beings. On the battlefield, Macbeth is a lion and a leader of men. But when the witches tempt him by prophesying that he will become king of Scotland, he succumbs to the lure of power. When his resolve weakens, Lady Macbeth fortifies it with strong words. Guilt .......Guilt haunts the evildoer. Whether from prick of conscience or fear of discovery, Macbeths guilt begins to manifest itself immediately after he murders Duncan and the guards (Act II, Scene II). This is a sorry sight (2.2.29), he tells Lady Macbeth, looking at the blood on his hands. When he speaks further of the guilt he feels, Lady Macbethforeshadowing her descent into insanitysays, These deeds must not be thought / After these ways; so, it will make us mad (2.2.44-45). Macbeth then says he thought he heard a voice saying, Sleep no more! / Macbeth does murder sleep (2.2.46-47). When they hear knocking moments later at the castle door, it is the sound of their guilt as much as the sound of the knocker, Macduff.. Climax Darkness .......Shakespeare casts a pall of darkness over the play to call attention to the evil deeds unfolding and the foul atmosphere in which they are taking place. At the very beginning of the play, Shakespeare introduces an image of dark clouds suggested in the words spoken by the First Witch: When shall we three meet againIn thunder, lightning, or in rain? (1.1.3-4)Near the end of the third scene in Act I, Banquo foreshadows the terrible events to come with an allusion to the witches as instruments of darkness that sometimes speak the truth in order to bring their listeners to ruin. Banquo says that [O]ftentimes, to win us to our harm, The instruments of darkness tell us truths, Win us with honest trifles, to betray s [betray us] In deepest consequence. (1.3.133-137) Lady Macbeth later entreats blackest night to cloak her when she takes part in the murder of Duncan, saying: Come, thick night, And pall thee in the dunnest smoke of hell, That my keen knife see not the wound it makes, Nor heaven peep through the blanket of the dark. (1.5.43-46)Late at night in Inverness Castle, after the King Duncan goes to bed and the Macbeths make final plans for his murder, Banquo and Fleance meet in a courtyard within the castle walls while a servant holds a torch. Their conversation centers on the blackness of the night and on sleep:BANQUO How goes the night, boy? FLEANCE The moon is down; I have not heard the clock. BANQUO And she goes down at twelve. FLEANCE I taket, tis later, sir. BANQUO Hold, take my sword. Theres husbandry in heaven; Their candles are all out. Take thee that too. A heavy summons lies like lead upon me, And yet I would not sleep: merciful powers, Restrain in me the cursed thoughts that nature Gives way to in repose!.......In his analysis of the images of darkness in Macbeth, Shakespearean scholar A.C. Bradley writes: It is remarkable that almost all the scenes which at once recur to memory take place either at night or in some dark spot. The vision of the dagger, the murder of Duncan, the murder of Banquo, the sleep-walking of Lady Macbeth, all come in night-scenes. The witches dance in the thick air of a storm,
or, 'black and midnight hags' receive Macbeth in a cavern. The blackness of night [makes] the hero a thing of fear, even of horror; and that which he feels becomes the spirit of the play."Quoted in Eastman, A.M., and G.B. Harrison, eds. Shakespeare's Critics: From Jonson to Auden. Ann Arbor, Mich.: U of Michigan, 1964 (Pages 238-239) .......Shakespeare frequently presents images of blood in Macbeth. Sometimes it is the hot blood of the Macbeths as they plot murder; sometimes it is the spilled, innocent blood of their victims. It is also blood of guilt that does not wash away and the blood of kinship that drives enemies of Macbeth to action. In general, the images of bloodlike the images of darknessbathe the play in a macabre, netherworldly atmosphere. Here are examples from the play:
Come, you spirits In their analysis of the images of blood and darkness in Macbeth, Shakespearean scholars K.L. Knickerbock and H. Willard Reninger write:That tend on mortal thoughts, unsex me here, And fill me from the crown to the toe top-full Of direst cruelty! make thick my blood. (Lady Macbeth: 1.5.48-51) Is this a dagger which I see before me, MACBETH...Will all great Neptune's7ocean wash this blood To Ireland, I; our separated fortune The very title of Macbeth conjures up the dense, suffocating metaphoric climate of primeval evil, darkness, blood, violated sleep, and nature poisoned at its source."Interpreting Literature. 4th ed. New York: Holt, 1969 (Page 854). .......Critic Maynard Mack and psychoanalyst Sigmund Freud both noticed that Lady Macbeth resembles Eve in her eagerness to tempt Macbeth to eat of forbidden fruit (in this case, murder) and that Macbeth resembles Adam in his early passivity. Supporting their views are these two passages in Act 1, Scene VII, in which Lady Macbeth goads her wavering husband: First Passage: Lady Macbeth tells her husband it is cowardly to hesitate like a scared cat.Art thou afeard To be the same in thine own act and valour As thou art in desire? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting "I dare not" wait upon "I would," Like the poor cat i' the adage? (1.7.45-51) Second Passage: Lady Macbeth challenges her husband to be a man. What beast was't, then, That made you break this enterprise to me? When you durst do it, then you were a man; And, to be more than what you were, you would Be so much more the man. Nor time nor place Did then adhere, and yet you would make both: They have made themselves, and that their fitness now Does unmake you. I have given suck, and know How tender 'tis to love the babe that milks me: I would, while it was smiling in my face, Have pluck'd my nipple from his boneless gums, And dash'd the brains out, had I so sworn as you Have done to this. (1.7 55-67)Ambition .......Raging ambition drives Macbeth to murder. After the witches play to his ambition with a prophecy that he will become king, he cannot keep this desire under control. He realizes that Duncan is a good kinghumble, noble, virtuous. But he rationalizes that a terrible evil grips him that he cannot overcome. I have no spurTo prick the sides of my intent, but only Vaulting ambition, which o'erleaps itself And falls on the other. (1.7.27-30)The Real Macbeth .......Macbeth was an eleventh-century Scot who took the throne in 1040 after killing King Duncan I, his cousin, in a battle near Elgin in the Moray district of Scotland. Of his reign, Fitzroy MacLean has written the following: "Macbeth appears, contrary to popular belief, to have been a wise monarch and to have ruled Scotland successfully and well for seventeen prosperous years. In 1050 we hear that he went on a pilgrimage to Rome and there [lavished money to the poor]." (Work cited: MacLean, Fitzroy. A Concise History of Scotland. New York: Beekman House, 1970, Page 23.) In 1057, Duncan's oldest son, Malcolm, ended Macbeth's reign by killing him in battle and later assuming the throne as Malcolm III. .......In Holinshed's Chronicles, the historical work on which Shakespeare based his play, the real Banquo is depicted as a conniver who took part in the plot to assassinate King Duncan. Why did Shakespeare portray Banquo as one of Macbeth's innocent victims? Perhaps because James I, the King of England when the play debuted, was a descendant of Banquo. It would not do to suggest that His Royal Majesty's ancestor was a murderer. .......The Roman dramatist Seneca (AD 4-65), a tutor to Emperor Nero, wrote plays that described in elaborate detail the grisly horror of murder and revenge. After Elizabethans began translating Seneca's works in 1559, writers read and relished them, then wrote plays imitating them. Shakespeare
appears to have seasoned Macbeth and an earlier play, Titus Andronicus, with some of Seneca's ghoulish condiments. Witchcraft in Shakespeare's Time .......In Shakespeare's time, many people believed in the power of witches. One was King James I. In 1591, when he was King of Scotland during the reign of Elizabeth I, a group of witches and sorcerers attempted to murder him. Their trial and testimony convinced him that they were agents of evil. Thereafter, he studied the occult and wrote a book called Daemonologie (Demonology), published in 1597. This bookand an earlier one called Malleus Maleficarum (The Witches' Hammer, 1486), describing the demonic rites of witcheshelped inflame people against practitioners of sorcery. .......Shakespeare, good businessman that he was, well knew that a play featuring witches would attract theatergoers and put a jingle in his pocket. Moreover, such a play would ingratiate him with James, who became King of England in 1603. So, about two years after James acceded to the English throne, Shakespeare began working on Macbeth. When it was first performed in about 1605, it probably frightened audiences in the same way that The Exorcist, the 1973 film about diabolical possession, scared American audiences. Magically, this play about murder and witches swelled Shakespeare's bank account and reputation. Shakespeare himself, a man of extraordinary intellect and insight, probably regarded witchcraft for what it was: poppycock. .......Four named witches appear in Macbeththe three hags who open the play and later Hecate, the goddess of sorcery. But is there a fifth witch, Lady Macbeth? In fact, she invokes spirits to unsex (1.5.34) her and bids thick night (1.5.43) to dress in the dunnest smoke of hell (1.5.44) so that she may assist her husband in the murder of King Duncan.
.......The words blood and night (or forms of them, such as bloody and tonight) occur more than 40 times each in Macbeth. Other commonly occurring words that help maintain the mood of the play are terrible, horrible, black, devil, and
evil. In Macbeth True Is False and Fair Is Foul By Michael J. Cummings © 2006 .......The world of Macbeth is a world of contradiction. Good is bad. True is false. Light is dark. The instruments of darkness tell us truths, Win us with honest trifles, to betray s [betray us] In deepest consequence. (1.3.134-137)Macbeth observes that the prophecy is neither favorable nor unfavorable, although he admits it unnerves him:
This supernatural soliciting The final words of his responsenothing is but what is notsum up Shakespeares theme of contradiction. Unfortunately, the ambitious Macbeth ignores cannot be good in favor of cannot be ill and bends his mind toward murdering the king. But he is full of doubt, full of fears.
Cannot be ill, cannot be good: .......................................................... If good, why do I yield to that suggestion Whose horrid image doth unfix my hair And make my seated heart knock at my ribs, Against the use of nature? Present fears Are less than horrible imaginings: My thought, whose murder yet is but fantastical, Shakes so my single state of man that function Is smother'd in surmise, and nothing is But what is not. (1.3.142-154) .......Enter Lady Macbeth. Excited by the prospect that the throne of Scotland is within a daggers reach, she becomes the ultimate paradox: a ruthless, hell-bent man-woman brimming with testicular gall and machismo. In one of the most chilling soliloquies or speeches in all of literature, she prays to be hardened into a remorseless killer:
................................Come, you spirits .......When Macbeth arrives home and discusses the murder plot with Lady Macbeth, she advises him to look like the innocent flower, / But be the serpent under t (1.5. 63-64). That tend on mortal thoughts, unsex me here, And fill me from the crown to the toe top-full Of direst cruelty! make thick my blood; Stop up the access and passage to remorse, That no compunctious visitings of nature Shake my fell purpose, nor keep peace between The effect and it! Come to my woman's breasts, And take my milk for gall, you murdering ministers, Wherever in your sightless substances You wait on nature's mischief! Come, thick night, And pall thee in the dunnest smoke of hell, That my keen knife see not the wound it makes, Nor heaven peep through the blanket of the dark, To cry 'Hold, hold!' (1.5.43-57) .......After King Duncan arrives at the door of Macbeths castle, he comments on the tranquillity and peacefulness of the setting while, inside, a whetted dagger awaits him. Before admitting the king, Lady Macbeth further prods her husband: Away, and mock the time with fairest show: / False face must hide what the false heart doth know (1. 7.94-95). .......In other words, look fair but be foul. .......And so, in the night, they murder the king. In the morning, when Macduff knocks at the door, the porter responds tardily and explains that he and his friends were up late drinking. The observations he makes about the effects of drinking are humorous, providing the audience momentary relief from the tension of the previous scenes. But even this comic interlude continues the theme of paradox, as the porters dialogue demonstrates when he tells what drinking causes: Lechery, sir, it provokes, and unprovokes; it provokes the desire, but it takes away the performance: therefore, much drink may be said to be an equivocator with lechery: it makes him, and it mars him; it sets him on, and it takes him off; it persuades him, and disheartens him; makes him stand to, and not stand to; in
conclusion, equivocates him in a sleep, and, giving him the lie, leaves him. (2.3.9) .......Moments later, when Macduff walks to Duncans bedroom, unaware that the king has been murdered, he tells Macbeth, I know this is a joyful trouble to you (2.3.22). Joyful trouble is an oxymoron/paradox that is also ironic, inasmuch as Macbeth is anything but joyful. He answers with irony: The labor we delight in
physics [heals] pain (2.3.24). .......After Macduff discovers the dead body and alerts the kings entourage, Macbeth kills the kings guards, blaming them for the murder. But the kings sons, Malcolm and Donalbain, suspect Macbeth as the culprit and fear that they will ultimately come under suspicion. In the second act, Malcolm says, using oxymoron/paradox:
What will you do? Let's not consort with them: Outside, an old man and Ross discuss (strange events: Day has turned to night, an owl has killed a falcon, and horses have broken free of their stalls to roam the countryside.To show an unfelt sorrow is an office Which the false man does easy. I'll to England. (2.3.134-136)
ROSS...Ah, good father, .......The play continues to present contradictions, reversals, and impossibilities that become possible. In the witches cavern, an apparition of a bloody child tells Macbeth that no one born of a woman can harm him. Then another apparition, a crowned child, tells him that he cannot die unless the trees of Birnam Wood
march against him. But Birnam Wood does march against Macbethin the form of soldiers using foliage as camouflage. And a man not born of woman, Macduffwho, Macbeth discovers, was delivered in a cesarean birthconfronts Macbeth and slays him. Macduff then hails Malcolm as the new king of Scotland. Thou seest, the heavens, as troubled with man's act, Threaten his bloody stage: by the clock, 'tis day, And yet dark night strangles the travelling lamp: Is't night's predominance, or the day's shame, That darkness does the face of earth entomb, When living light should kiss it? OLD MAN...'Tis unnatural, Even like the deed that's done. On Tuesday last, A falcon, towering in her pride of place, Was by a mousing owl hawk'd at and kill'd. ROSS...And Duncan's horsesa thing most strange and certain Beauteous and swift, the minions of their race, Turn'd wild in nature, broke their stalls, flung out, Contending 'gainst obedience, as they would make War with mankind. OLD MAN...'Tis said they eat each other. (2.4.7-23) .......Many of the scenes in Macbeth are set in a castle. A castle was a walled fortress of a king or lord. The word castle is derived from the Latin castellum, meaning a fortified place. Generally, a castle was situated on an eminence (a piece of high ground) that
had formed naturally or was constructed by laborers. High ground constructed by laborers was called a motte (French for mound); the motte may have been 100 to 200 feet wide and 40 to 80 feet high. The area inside the castle wall was called the bailey. Glossary of Animals and Animal Parts in Witches' Brew (Act IV, Scene I) Adders Fork: Forked tongue of an adder, a poisonous snake. 1. Cawdor: Village in the Highlands of Scotland, near Inverness. Play
Director
Actors
More To Explore
|
You May LikeContact & About
|