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Study Guide Prepared by Michael J. Cummings...© 2003
Revised in 2010..©
Type of Work
.......As the title suggests, this Shakespeare work is a complaint poem. This type of poem was popular in medieval and Renaissance times. Authors of complaint poems narrated stories of unrequited love, personal difficulties, injustice, poverty, or another social problem. Sometimes they spiced their
poems with satire. A complaint poem often appeared at the end of a collection of other poems.
Year of Publication
.......The poem was published in 1609, at the end of a quarto edition featuring Shakespeare's sonnets.
Setting
.......The events described in the poem take place in rural England.
Characters
The narrator: Unidentified person. He observes a woman complaining about a man who seduced her, then left her.
The woman: Person who yields to the charms of the
seducer.
Old Man: Person who listens to the woman's story.
The Seducer: Handsome young man
with a clever tongue who treats women as objects for satisfying his lust.
Verse Format
.......The poem is in rhyme royal (or rime royal), a format in which each stanza has seven lines and the metric pattern is iambic pentameter. In rhyme royal, the rhyme scheme is ababbcc.
.......Geoffrey Chaucer, author of the Canterbury Tales, pioneered this rhyme scheme in England in his works Troilus and Criseyde and The Parlement of Foules. Rhyme royal was going out of fashion when A Lovers Complaint was published, although later poetsincluding John Milton in the
seventeenth century and John Masefield in the twentiethrevived it.
.......The first stanza of the poem demonstrates the rhyme scheme:
From off a hill whose concave womb re-worded
A plaintful story from a
sistering vale,
My spirits to attend this double voice accorded,
And down I laid to list the sad-tund tale;
Ere long espied a fickle
maid full pale,
Tearing of papers, breaking rings a-twain,
Storming her world with sorrows wind and rain.Lines 4 and 5 demonstrate the prevailing metric pattern:.........1...............2..............3..............4................5
And DOWN..|..I LAID..|..to LIST..|..the SAD-..|..tun'd TALE........1...............2...............3..............4..............5
Ere LONG..|..es PIED..|..a FICK..|..le MAID..|..full PALE
Authorship Question.......Because parts of the poem appear un-Shakespearean in style, some researchers hold open the possibility that another author wrote the poem. However, it was not unusual for Shakespeare to alter his style. Moreover, although un-Shakespearean passages do exist in the poempassages which
Algernon Charles Swinburne ridiculed as bombastica goodly passel of typically Shakespearean passages grace the poem. Swinburne acknowledged these passages as exquisite. And heres something more: The first stanza of A Lovers Complaint resembles the first stanza of The Rape of Lucrece in structure and word choice. Other similarities exist in other stanzas. Below is a comparison of
the first four lines of A Lover's Complaint and the first four lines of The Rape of Lucrece. Note the similarities:
A Lover's Complaint
From
off a hill whose concave womb reworded
A plaintful story from a sistering vale,
My spirits to attend this double voice accorded,
And down I laid to list the
sad-tuned tale;
The Rape of
Lucrece
From the besieged Ardea all in
post,
Borne by the trustless wings of false desire,
Lust-breathed Tarquin leaves the Roman host,
And to Collatium bears the lightless fireSummary of the Poem
By Michael J. Cummings...© 2003.......When woeful cries echo from a hill, the poems narrator cocks an ear to listen. By and by, he spies in the distance the source of the lamentations: a maid wearing a straw hat against the bright sunlight. Pale and careworn, she is crying into a handkerchief. Although past her youth, she retains a
glimmer of youthful beauty. Her distress attracts a reverend man grazing cattle nearby. Leaning on a sturdy ashen staff, he seats himself a modest distance from her and asks what troubles her. It may be that, as a man of many years and much experience, he may have the wisdom to alleviate her grief. "Father,' she says, "though in me you behold
The injury of many a blasting hour,
Let it not tell your
judgment I am old;
Not age, but sorrow, over me hath power:
I might as yet have been a spreading
flower,
Fresh to myself, If I had self-applied
Love to myself and to no love beside.".......She then tells her listener how a young man whose qualities were beauteous as his form wooed her, first winning her affections in his charmed power, then stealing all my flower. In other words, the young man had seduced her. His methods, she says, were foul beguiling and deceits gilded
in his smiling. Afterward, he abandoned her. The poem ends when the maid bitterly denounces the wrongdoer while acknowledging, paradoxically, that she would yet again succumb to his wiles if the opportunity presented itself:
"O, that infected moisture of his eye,
O, that false fire which in his cheek so glow'd,
O, that forced thunder from his heart did fly,
O, that sad breath his spongy lungs bestow'd,
O, all that borrow'd motion seeming owed,
Would yet again betray the fore-betray'd,
And new pervert a reconciled maid!"The old man offers no response.
A Lover's Complaint
By William Shakespeare
Text and Explanatory Notes
1
From off a hill whose concave womb re-worded
A plaintful story1from a sistering vale2,
My spirits to attend this
double voice3accorded,
And down I laid to list4the sad-tund tale;
Ere long espied a fickle maid full pale,...............................5
Tearing
of papers5, breaking rings a-twain,
Storming her world with sorrows wind and rain.
2
Upon her head a platted6hive of straw,7
Which fortified her visage from the sun,
Whereon the thought might think sometime it
saw.............10
The carcass of a beauty spent and done:
Time had not scythed8all that youth begun,
Nor youth all quit; but, spite of heavens fell9rage,
Some beauty peepd through lattice10of seard11age.
3
Oft did she heave her napkin to her eyne,12.......................15
Which on it had conceited characters,
Laundering
the silken figures in the brine
That seasond woe13had pelleted in tears,
And often reading what content it bears;
As often shrieking undistinguishd woe14............................20
In clamours of all size, both high and low.
4
Sometimes her levelld eyes their carriage ride,
As they did battery to the spheres intend;15
Sometime diverted, their poor balls are tied
To the orbed earth; sometimes they do extend....................25
Their view
right on; anon their gazes lend
To every place at once, and nowhere fixd,
The mind and sight distractedly
commixd.
5
Her hair, nor loose nor tied in formal plat,16
Proclaimd in her a careless hand of pride;...........................30
For some,
untuckd, descended her sheavd hat,
Hanging her pale and pined cheek beside;
Some in her threaden fillet17still did bide,
And true to bondage would not break from thence
Though slackly braided in loose negligence..........................35
6
A thousand favours from a maund18she drew
Of amber, crystal, and of beaded jet,
Which one by one she in a river threw,
Upon whose weeping margent19she was set;
Like usury,
applying wet to wet,20........................................40
Or monarchs hands that let not bounty
fall
Where want cries some, but where excess begs all.
7
Of folded schedules21had she many a one,
Which she perusd, sighd, tore, and gave the flood;
Crackd many a ring of posied gold and bone,........................45
Bidding them find their sepulchres in mud;
Found yet more letters sadly pennd in
blood,
With sleided silk feat22and affectedly
Enswathd, and seald to curious secrecy.
8
These often bathd she in her fluxive23eyes,..........................50
And often kissd, and often gan to tear;
Cried "O false blood! thou register of lies,
What unapproved24witness dost thou bear;
Ink would have seemd more black and damned here."25
This said, in top of rage
the lines she rents,26........................55
Big discontent so breaking their
contents.
9
A reverend man that grazd his cattle nigh
Sometime27a blusterer, that the ruffle28knew
Of court, of city, and had let go
by
The swiftest hours, observed as they flew...........................60
Towards this afflicted fancy29fastly30drew;
And, privilegd by age,31desires to know
In brief the grounds and motives of her woe.
10
So slides he down upon his grained bat,32
And comely-distant33sits he by her side;...............................65
When he again desires her, being sat,
Her grievance with his hearing to divide:
If that from him there may be aught34applied
Which may her suffering ecstasy assuage,35
Tis promisd in the charity of age...........................................70
11
Father, she says, though in me you behold
The injury of many a
blasting hour,36
Let it not tell your judgment I am old;
Not age, but sorrow, over me hath power:
I might as yet have been a spreading flower,............................75
Fresh to myself, if I had self-applied
Love to myself and to no love beside.
12
But, woe is me! too early I attended
A youthful suit,37it was to gain my grace,
Of one by natures outwards so commended,...........................80
That maidens eyes stuck over all his face.38
Love lackd a dwelling, and made him her place;
And when in his fair parts she did abide,
She was new
lodgd and newly deified.
13
His browny locks did hang in crooked curls, 85
And every light
occasion of the wind
Upon his lips their silken parcels hurls.
Whats sweet to do, to
do will aptly find:39
Each eye that saw him did enchant the mind,
For
on his visage was in little drawn.........................................90
What largeness thinks in Paradise was sawn.40
14
Small show of man was yet upon his chin;
His phoenix41down began but to appear
Like unshorn velvet on that termless42skin
Whose bare out-braggd the web it seemd to wear;43................95
Yet showd his visage by that cost44more dear,45
And nice affections wavering stood in doubt
If best were as it was, or best without.
15
His qualities were beauteous as his form,
For maiden-tongud46he was, and thereof free;........................100
Yet, if men movd47him, was he such a storm
As oft twixt May and April is to see,
When winds breathe sweet, untidy though they be.
His rudeness so with his authorizd youth
Did livery falseness in a pride of truth.48...................................105
16
Well could he ride, and often men would say
That horse his mettle
from his rider takes:
Proud of subjection, noble by the sway,
What rounds, what bounds, what course, what
stop he makes!
And controversy hence a question takes,.................................110
Whether the horse by him became his deed,
Or he his manage by the well-doing steed.
17
But quickly on this side the verdict went:
His real habitude49gave life and grace
To appertainings and to ornament,50.........................................115
Accomplishd in himself, not in his case:
All aids, themselves made fairer by their place,
Came for additions; yet their purposd trim
Piecd not his grace, but were all gracd by him.
18
So on the tip of his subduing tongue.........................................120
All kinds of arguments and question deep,
All replication51prompt, and reason strong,
For his advantage still did wake and sleep:
To make the weeper laugh, the laugher weep,
He had the dialect and different skill,..........................................125
Catching all passions in his craft of will:52
19
That he did in the general bosom reign
Of young, of old; and sexes
both enchanted,
To dwell with him in thoughts, or to remain
In personal duty, following where he
haunted:..............................130
Consents bewitchd,53ere he desire, have granted;
And dialogud for him what he would say,
Askd their own wills, and made their wills obey.
20
Many there were that did his picture get,
To serve their eyes, and
in it put their mind;.................................135
Like fools that in the imagination set
The goodly objects which abroad they find
Of lands and mansions, theirs in thought assignd;54
And labouring in more pleasures to bestow them
Than the true gouty landlord which doth owe55them.....................140
21
So many have, that never touchd his hand,
Sweetly supposd them
mistress of his heart.
My woeful self, that did in freedom stand,
And was my own
fee-simple,56not in part,
What with his art in youth, and youth in art,..................................145
Threw my affections in his charmed power,
Reservd the stalk and gave him all my flower.
22
Yet did I not, as some my equals did,
Demand of him, nor being
desired yielded;
Finding myself in honour so forbid,57.............................................150
With safest distance I mine honour shielded.
Experience for me many bulwarks
builded
Of proofs new-bleeding,58which remaind the foil59
Of this false jewel, and his amorous spoil.
23
But, ah! who ever shunnd by precedent........................................155
The destind ill she must herself assay?60
Or forcd examples, gainst her own
content,
To put the by-passd perils in her way?
Counsel may stop awhile what will not
stay;
For when we rage, advice is often seen..........................................160
By blunting us to make our wits more keen.
24
Nor gives it satisfaction to our blood,
That we
must curb it upon others proof;61
To be forbid the sweets that seem so good,
For fear of harms that preach in our behoof.....................................165
O appetite! from judgment stand aloof;
The one a palate hath that needs will taste,
Though Reason weep, and cry It is thy last.
25
For further I could say This man s untrue,
And knew the patterns
of his foul beguiling;.....................................170
Heard where his plants in others orchards grew,
Saw how deceits were gilded in his smiling;
Knew vows were ever brokers to defiling;
Thought characters and words merely but art,
And bastards of his foul adulterate heart..........................................175
26
And long upon these terms I held my city,
Till thus he gan besiege
me: Gentle maid,
Have of my suffering youth some feeling pity,
And be not of my holy
vows afraid:62
Thats to ye sworn to none was ever said;........................................180
For feasts of love I have been calld unto,
Till now did neer invite, nor never woo.
27
All my offences that abroad you see
Are errors of the blood, none
of the mind;
Love made them not: with acture63they may be,...............................185
Where neither party is nor true nor kind:64
They sought their shame that so their shame did find,
And so much less of shame in me remains,65
By how much of me their reproach contains.
28
Among the many that mine eyes have seen,....................................190
Not one whose flame my heart so much as warmd,
Or my affection put to the smallest
teen,66
Or any of my leisures ever charmd:
Harm have I done to them, but
neer was harmd;
Kept hearts in liveries, but mine own was free,....................................195
And reignd, commanding in his monarchy.
29
Look here, what tributes wounded fancies sent me,
Of paled pearls
and rubies red as blood;
Figuring that they their passions likewise lent me
Of grief and blushes, aptly
understood................................................200
In bloodless white and the encrimsond mood;
Effects of terror and dear modesty,
Encampd in hearts, but fighting outwardly.
30
And, lo! behold these talents67of their hair,
With twisted metal amorously impleachd,68........................................205
I have receivd from many a several fair,
Their kind acceptance weepingly beseechd,
With the annexions69of fair gems enrichd,
And
deep-braind sonnets, that did amplify
Each stones dear nature, worth, and quality........................................210
31
The diamond; why, twas beautiful and hard,
Whereto70his invisd71properties did tend;
The deep-green emerald, in whose fresh
regard
Weak sights their sickly radiance do amend;
The heaven-hued sapphire and the opal
blend........................................215
With objects manifold: each several stone,
With wit well blazond,72smild or made some moan.
32
Lo! all these trophies of affections hot,
Of
pensivd and subdud desires the tender,73
Nature hath chargd me that I hoard them not,........................................220
But yield them up where I myself must render,
That is, to you, my origin and ender;74
For these, of force,75must your oblations76be,
Since I their altar, you enpatron me.
33
O! then, advance of yours that phraseless77hand,..................................225
Whose white weighs down the airy scale of praise;78
Take all these similes to your own command,
Hallowd with sighs that burning lungs did raise;
What me your minister,79for you obeys,
Works under
you; and to your audit80comes...........................................230
Their distract
parcels81in combined sums.
34
Lo! this device was sent me from a nun,
Or sister sanctified, of
holiest note;
Which late her noble suit82in court did shun,
Whose rarest havings made the blossoms dote;.......................................235
For she was sought by spirits of
richest coat,83
But kept cold distance, and did thence remove,
To spend her
living in eternal love.
35
But, O my sweet! what labour is t to leave
The thing we have not,84mastering what not strives,....................................240
Playing the place which did no form receive,85
Playing patient sports in unconstrained gyves?86
She that her fame so to herself contrives,87
The scars of
battle scapeth by the flight,88
And makes her absence valiant, not her might..........................................245
36
O! pardon me, in that my boast is true;
The accident which brought
me to her eye
Upon the moment did her force subdue,
And now she would the caged cloister
fly;
Religious love put out Religions eye:........................................................250
Not to be tempted, would she be immurd,
And now, to tempt, all liberty procurd.
37
How mighty then you are, O! hear me tell:
The broken bosoms that to
me belong
Have emptied all their fountains in my well,................................................255
And mine I pour your ocean all among:
I strong89oer them, and you oer me being strong,
Must for your victory us all congest,90
As compound love to physic your cold
breast.
38
My parts91had power to charm a sacred nun,...........................................260
Who, disciplind, ay, dieted92in grace,
Believd her eyes when they to assail begun,
All vows and consecrations giving place.
O most potential love! vow, bond, nor space,
In thee hath neither sting, knot, nor confine,...............................................265
For thou art all, and all things else are thine.
39
When thou impressest, what are precepts worth
Of stale example?
When thou wilt inflame,
How coldly those impediments stand forth
Of wealth, of filial fear, law, kindred,
fame!..................................................270
Loves arms are peace, gainst rule, gainst sense, gainst shame,
And sweetens, in the suffering pangs it bears,
The aloes of all forces, shocks, and fears.
40
Now all these hearts that do on mine depend,
Feeling it break, with
bleeding groans they pine;.........................................275
And supplicant their sighs to you extend,
To leave the battery that you make gainst mine,
Lending soft audience to my sweet design,
And credent soul to that strong-bonded oath
That shall prefer and undertake my troth....................................................280
41
This said, his watery eyes he did dismount,
Whose sights till then
were levelld on my face;
Each cheek a river running from a fount
With brinish current downward flowd
apace.
O! how the channel to the stream gave grace;.............................................285
Who glazd with crystal gate the glowing roses
That flame through water which their hue encloses.
42
O father! what a hell of witchcraft lies
In the small orb of one
particular tear,
But with the inundation of the eyes.............................................................290
What rocky heart to water will not wear?
What breast so cold that is not warmed here?
O cleft effect! cold modesty, hot wrath,
Both fire from hence and chill extincture hath.
43
For, lo! his passion, but an art of craft,.......................................................295
Even there resolvd my reason into tears;
There my white stole of chastity I daffd,93
Shook off my sober guards and civil fears;
Appear to him, as he to me
appears,
All melting; though our drops this difference bore,........................................300
His poisond me, and mine did him restore.
44
In him a plenitude of subtle matter,
Applied to cautels,94all strange forms receives,
Of burning blushes, or of weeping water,
Or swounding95paleness; and he takes and leaves,......................................305
In eithers aptness, as it best deceives,
To blush at speeches rank, to weep at woes,
Or to turn white and swound at tragic shows:
45
That not a heart which in his level came
Could scape the hail of
his all-hurting aim,..................................................310
Showing fair nature is both kind and tame;
And, veild in them, did win whom he would maim:
Against the thing he sought he would exclaim;
When he most burnd in heart-wishd luxury,
He preachd pure maid, and praisd cold chastity..........................................315
46
Thus merely with the garment of a Grace
The naked and concealed
fiend he coverd;
That the unexperient gave the tempter place,
Which like a cherubin96above them hoverd.
Who, young and simple, would not be so loverd?.........................................320
Ay me! I fell; and yet do question make
What I should do again for such a
sake.
47
O! that infected moisture of his eye,
O! that false fire which in
his cheek so glowd,
O! that forcd thunder from his heart did fly,..................................................325
O! that sad breath his spongy lungs bestowd,
O! all that borrowd motion seeming owd,
Would yet again betray the fore-betrayd,
And new pervert a reconciled maid.
Notes1.....concave . . . story: The cave-like formation in the hill echoed the story.
2.....sistering vale: Neighboring valley.
3.....double voice: Echoing voice.
4.....list: Listen to.
5.....papers: Love letters.
6.....platted: Plaited, braided.
7.....hive . . . straw: Straw hat shaped like a hive.
8.....scythed: Cut down, taken away.
9.....fell: Fierce.
10...lattice: Wrinkles.
11...sear'd: Withered, dried up.
12...eyne: Eyes.
13...season'd woe: Sadness seasoned with the salt from tears.
14...shrieking . . . woe: Crying out words that the speaker cannot make out.
15...eyes . . . intend: Her gaze seems like a weapon that she intended to fire at the sky.
16...plat: Braid.
17...fillet: Band worn around the head to hold the hair in place.
18...favours . . . maund: Gifts from a basket.
19...margent: Bank,
shore.
20...Applying . . . wet: Letting her tears fall into the water.
21...schedules: Love notes, love letters, etc.
22...sleided . . . Feat: Neat band of silk.
23...fluxive: Flowing with tears.
24...unapproved: Unproven. (The writer of the letters and notes did not prove his love for her.)
25...Ink . . . here: The ink should be blacker to represent the man's offenses.
26...rents: Tears.
27...Sometime: At one time, formerly.
28...ruffle: Arrogant or pretentious behavior.
29...afflicted
fancy: Woeful woman.
30...fastly: Close.
31...privileg'd by age: The "reverend man" is elderly.
32...slides . .
. bat: Slides his hands down the shaft of his staff.
33...comely-distant: Modestly or properly distant.
34...aught: Anything.
35...assuage: Ease, lessen.
36...blasting hour: Time when her hopes were dashed.
37...youthful suit: Attentions of a young man
38...maidens' . . .face: Young women stared at the handsome man.
39...What's . . .
find: People will eagerly participate in what is enjoyable to do.
40...On his visage . . . sawn: On his face was a small
picture of what would be seen (sawn) in Paradise.
41...phoenix down: newly grown hair; fuzz.
42...termless: Youthful; having many years to live.
43...bare . . . wear: The bare skin was more attractive than the short growth of hair.
44...cost: The
stubble
45...dear: Attractive.
46...maiden-tongu'd: Soft-spoken.
47...mov'd: Aroused his wrath; angered.
48...Did . . . truth: His appearance hid his falseness.
49...real habitude: True self, true nature; real personality.
50...gave . . .
ornament: His superior qualities made his attire and ornaments look better.
51...replication: Answers.
52...craft of will: Cleverness in speaking; persuasiveness.
53...Consents bewitch'd: The listeners were enchanted by his words.
54...Theirs . . . assign'd: The listeners believe what he says.
55...owe: Own.
56...And . . . simple: She was in possession of herself.
57...myself . . . forbid: Her sense of honor forbade her to yield to his charms.
58...Of . . . bleeding: She was aware of the ruination he brought on other young ladies.
59...foil: Thin piece of metal on which an inferior jewel is placed
to increase its glitter.
60...she . . . assay: She must judge the man for herself; what others say is not enough.
61...That . . . proof: We should not reach a conclusion on the proof presented by others.
62...And . . . afraid: Don't doubt the vows of love I make to you.
63...acture: Acts of passion.
64...Where . . . kind: When neither party is in love.
65...And . . . remains: Because I was not in love, I am not ashamed.
66...put . . . teen: Caused the smallest sadness or sorrow (teen).
67...talents: Prizes, tokens.
68...impleach'd: twined, intertwined, entwined, coiled.
69...annexions: additions.
70...Whereto: Toward what
place? For what purpose?
71...invis'd: Invisible, undetectable.
72...With . . . blazon'd: With descriptions blazoned in the sonnets (mentioned in line 209).
73...Of . . . tender: Given out of disheartened and subdued desires.
74...ender: Conclusion, completion.
75...of force: Necessarily.
76...oblations: Gifts, offerings.
77...phraseless: So beautiful that it is beyond
description.
78...Whose . . . praise: The whiteness, so beautiful, cannot be weighed with mere words.
79...minister: Attendant, servant.
80...to . . . audit: To your attention.
81...distract parcels: Discrete, or separate,
items.
82...suit: Appearance.
83...spirits . . . coat: Highborn persons; persons with a coat of arms.
84...what labour . . . not: How difficult is it to give up something that we did not have in the first place? The young man is being sarcastic.
85...Playing . . . receive: This
means, in effect, that you cannot take credit for sacrificing something that you never had.
86...Playing . . . gyves: Pretending to suffer as captives even though we
have never been placed in shackles (gyves).
87...She . . . contrives: She who fashions a reputation.
88...scars . . . flight: Runs away rather than standing fast and resisting temptation.
89...strong: Triumphant.
90...Must . . . congest: Believing yourself victorious over me, you must gather us all together and use us as a cure for your coldness.
91...parts: Allure.
92...dieted: Steeped; regimented.
93...daff'd: Removed.
94...cautels: Tricks, deceptions.
95...swounding: Swooning.
96...cherubin: Cherubim (angels).
ThemesComplaint of a Wronged Woman
The countryside echoes with "clamours of all size, both high and low" (line 21) of a woman who has been seduced, then abandoned. When an elderly farmer asks her what is wong, she complains to him about the young philandererwho used
her.
Deceit
The young man used deception, couched in clever words, to persuade the lady to yield to him. She says that he had "on the tip of his subduing tongue / All kinds of arguments and question deep, / All replication prompt, and reason strong" (lines 121-122).
Fickleness
In spite of her bitterness and anger against the devious young man, the woman expresses a wish at the end of the poem that the young man would "new pervert a reconciled maid."
Figures of Speech
Following are examples of figures of speech in the poem.
Alliteration
a fickle maid full pale (line 5)
Hanging her pale and pined cheek beside (line 32)
crooked curls (line 85)
So on the tip of
his subduing tongue (line 120)AnaphoraWhatrounds, whatbounds, whatcourse, whatstop he makes! Loves arms are peace, gainstrule, gainstsense, gainstshame,
O! that infected moisture of his eye,
O! that false fire which in his cheek so
glowd,
O! that forcd thunder from his heart did fly,
O! that
sad breath his spongy lungs bestowd,
O!all thatborrowd motion seeming owd
HyperboleA thousand favours from a maund she drew (line 36)MetaphorStorming her world with sorrows wind and rain
(line 7)
Comparison of the woman's emotions with the wind and rain of a stormUpon her head a platted hive of straw (line 8)
Comparison of the woman's hat to a hive
Some beauty peepd through lattice of seard age (line 14)
Comparison of the woman's wrinkles to lattice
I might as yet have been a spreading flower.(line 75)
The woman compares herself to a flower.
this false jewel (line 154)
Comparison of the young man to a false gem
Paradoxblunting us to make our wits more keen. (line 161)PersonificationThough Reason
weep, and cry It is thy last. (line 168)
Comparison of reason to a personSimileHis phoenix down
began but to appear
Like unshorn velvet on that termless skin (line 93-94)
Comparison of the young man's
facial hair to velvetrubies red as blood (line 198)
Comparison of rubies to blood
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