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A Study Guide |
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. Henry
VI, of the House of Lancaster, became King of England as an infant on Sept.
1, 1422, after the death of his father, King Henry V. Henry VI reigned
from 1422 to 1461 and from 1470 to 1471. After serving merely as a figurehead
in his boyhood and adolescence, Henry began to rule on his own in 1437,
at age 16. After he married Margaret of Anjou in April 1445, ambitious
nobles–and his own wife–began plotting against him for their own selfish
ends. Henry VI Part III continues the story begun in Henry
VI Part I (which ended with the marriage of Henry to Margaret)
and Henry VI Part II
(which ended with Richard Plantagenet claiming the crown).
By Michael J. Cummings...© 2003 .......Richard, Duke of York, takes the throne in the English Parliament with his supporters at his side. When King Henry VI arrives with his supporters, he orders Richard to “descend my throne, / And kneel for grace and mercy at my feet”(1. 1. 77-78). .......York will not budge. Warwick, one of York’s supporters, tells the king: “Be Duke of Lancaster; let him [York] be king” (1. 1. 90). Westmoreland, one of the king’s supporters, answers, “He is both king and Duke of Lancaster” (1. 1. 91). A quarrel ensues about who is the rightful king. It ends when Henry asks to be allowed to reign for his lifetime. York agrees to permit Henry to “reign in quiet” (1. 1. 177) if the king confirms York as rightful successor to the throne when the king dies. “I am content, Richard Plantagenet,” the king says. “Enjoy the kingdom after my decease” (178-179). Queen Margaret is furious. She and the king now have a son. But Henry’s agreement with York makes him a disinherited son. She tells the king: Ah, wretched man! would I had died a maid.......Meanwhile, York’s sons, Edward and Richard, importune their father to take back the throne that he yielded. Edward says: “Now you are heir, therefore enjoy it now: / By giving the house of Lancaster leave to breathe” (1. 2. 15-16). When York says he is bound on oath to .......To retain her standing as queen, Margaret raises an army and clashes with York at Wakefield. She conquers. York’s son Edmund is tortured and killed. York himself, taken prisoner, endures taunts and mocks. The queen crowns him with a paper diadem and says, “Now looks he like a king!” (1. 4. 99). Lord Clifford, a supporter of Margaret and the Lancasters, stabs York. Margaret stabs him again for good measure. .......After York dies, Margaret orders him decapitated. The head is placed on the gates at York. The queen then wins another battle at Saint Albans over the Earl of Warwick. Warwick carries news of the defeat to York’s sons Edward and Richard. Warwick says Margaret and Clifford, who “have wrought the easy-melting king like wax” (2. 1. 175), are now marching on London thirty thousand strong to reclaim the throne for Henry. Warwick stiffens his resolve and predicts that with the help of his remaining forces, along with loyal Welshmen and troops under the Duke of Norfolk, the Yorkists will yet win the day. Edward, who has now become Duke of York to succeed his dead father, can then claim the crown. .......When the armies meet between Towton and Saxton in Yorkshire, the meek king watches from a distance as Warwick and the Yorkists rout the queen. She flees with her son to France, and Clifford is taken prisoner and beheaded. Edward, Duke of York, is proclaimed King Edward IV. Warwick then lays out the schedule for the new monarch: First, he must hie to London for his coronation. .......Then he must marry Lady Bona, the sister of the King of France, because “having France thy friend, thou shalt not dread / The scatter’d foe that hopes to rise again” (2. 6. 95-96). Warwick embarks for France to arrange the marriage. Now that Edward is king, his brother Richard becomes Duke of Gloucester. George, another brother, becomes Duke of Clarence. Poor Henry is captured in the north of England and imprisoned in the Tower of London. While Warwick is on his mission in France, Edward falls in love with a beautiful widow, Lady Grey, and seeks to make her his queen. But even as Edward prepares to run the realm, a new rivalry takes shape: His brother Richard, a hunchback who has no conscience, begins lusting for the crown and plotting to overthrow Edward to get it. .......In France, Margaret denounces Warwick in an attempt to block the proposed marriage between Lady Bona and Edward IV. Such a marriage, she believes, would end all chances for Henry to reclaim the throne. Nevertheless, Louis XI approves the alliance. But all is for naught, for word arrives from England that Edward has married Lady Grey. This affront to Warwick’s honor so angers him that he breaks with Edward and aligns himself with Margaret in her effort to restore Henry. Margaret welcomes his change of heart, saying, “Warwick, these words have turn’d my hate to love; and I forgive and quite forget old faults.” The French decide to support Warwick and Margaret, but Louis first asks for a pledge of loyalty before he provides aid. Warwick then offers his oldest daughter to Margaret’s son, Prince Edward, in “holy wedlock” (3. 3. 250). When the prince accepts the proposal, Louis appoints his high admiral, Lord Bourbon, to ferry troops to England. .......In England, many of King Edward’s followers are unhappy with his marriage to Lady Grey. The Duke of Clarence, Edward’s own brother, is so incensed that he joins with Warwick and agrees to marry Warwick’s youngest daughter. Richard, Duke of Gloucester, stands by Edward, but only because he wants to keep the crown in the family–the better to usurp it later. After Warwick’s forces enter England, they capture King Edward, then free Henry from the Tower of London and reinstall him as king. However, the meek Henry has had enough of governing. He asks Warwick and Clarence to rule jointly in his stead while he pursues a quiet life of prayer. .......Meanwhile, Edward has escaped to Burgundy, thanks in large part to Gloucester. After raising an army, he returns to England to reclaim the throne. He and Gloucester capture Henry, return him to the Tower of London and engage Warwick in battle at Coventry. Clarence decides to switch sides again, saying he will not “bend the fatal instruments of war” (5. 1. 95) against his brothers. He tells them, “Pardon me, Edward, I will make amends; / And, Richard, do not frown upon my faults” (5. 1. 108-109). Both brothers welcome him back to the fold. Margaret then arrives from France with fresh troops. But she is defeated near Tewkesbury, and she and her son are taken prisoner. When Margaret’s son spits insults at Edward, Gloucester, and Clarence, they stab him in turn as he writhes on the ground. Gloucester then returns to London with all dispatch. After entering the Tower, he tells Henry, “Thy son I kill’d for his presumption” (5. 4. 36). Then he stabs Henry. Edward is restored to the throne, Margaret is exiled to France, and Gloucester remains on the prowl, still dreaming of the crown he will one day wear. .
. King Henry VI: Pious and timorous king of England (House of Lancaster) who sometimes yearns for a simpler life. He is at odds not only with his Yorkist foes but also with his domineering wife. Queen Margaret: Ambitious wife of King Henry. Edward, Prince of Wales: Henry’s son, a smart, stout-hearted, regal young man. He is everything that his father is not. Richard Plantagenet, Duke of York: Yorkist (White Rose) throne claimant who fails to gain the crown. Edward, Earl of March: Proud and insolent son of Richard Plantagenet. Edward becomes King Edward IV, the first ruler in the House of York. Edmund, George, Richard: Sons of Richard Plantagenet. Members of Lancaster Faction: Duke of Exeter (Henry Holland), Earl of Oxford (John de Vere), Earl of Northumberland (Henry Percy), Earl of Westmoreland (Ralph Neville), Lord Clifford (John Clifford), and the Marquess of Montague (John Neville). Members of York Faction: Earl of Warwick (Richard Neville), Duke of Norfolk, Earl of Pembroke, Lord Hastings, Lord Stafford, Sir John Mortimer, Sir Hugh Mortimer, Sir John Montgomery, Sir John Somerville, Sir William Stanley. Elizabeth Woodville (Lady Grey): Widow of Sir Richard Grey (killed in fighting at Saint Albans). She marries Edward, the son of Richard Plantagenet, and becomes his queen. Lord Rivers: Brother of Elizabeth Woodville (Lady Grey), the new queen. Lewis XI: King of France. Bona: Sister of the French Queen. Henry, Earl of Richmond: Noble youth descended from the Lancasters. He seems destined for greatness. Others: Tutor to Edmund (Earl of Rutland), Mayor of York, Lieutenant of the Tower, Nobleman, Two Gamekeepers, Huntsman, Soldiers, Attendants, Messengers, Watchmen, Son That Has Killed His Father, Father That Has Killed His Son.
Henry VI Part III is set in various locales in England and France, including the following: (1) London, England: Parliament House, the royal palace, the Tower; (2) Wakefield, England: Sandal Castle and a battlefield; (3) Herefordshire: a plain near Mortimer's Cross; (4) York; (5) Yorkshire: battlefield between Towton and Saxton, a park near Middleham Castle; (6) northern England: a forest; (7) France: the palace of King Lewis XI; (8) a plain in Warwickshire; (9) Warwick: Edward's camp; (10) West Midlands: Coventry; (11) Barnet: battlefield; and (12) Tewksbury: a plain. Date
Written: Between 1590 and 1592
Henry
VI Part III is a history play about the struggle for power during the
reign of a young English king.
The
struggle for power divides a kingdom. The House of Lancaster, to which
Henry VI belongs, and the House of York vie for power. The Yorkists believe
they were cheated out of the throne in 1399, when Henry Bolingbroke became
king as Henry IV. Within the House of Lancaster, there is also division.
The Duke of Suffolk conspires with the queen to oust Henry’s protector
so that they can exert more control over the young king.
The climax of a play or another literary work, such as a short story or a novel, can be defined as (1) the turning point at which the conflict begins to resolve itself for better or worse, or as (2) the final and most exciting event in a series of events. The climax of Henry VI Part III occurs, according to the first definition, when Edward reclaims the throne. According to the second definition, the climax occurs when Gloucester stabs Henry in the Tower of London. Shakespeare depicts Henry
VI as weak and ineffectual, as he was in real life. However, the historical
Henry did possess some
The play opens at the House of Parliament in London with a bit of black humor that foreshadows the ruthless, bloodstained machinations of Richard, Duke of Gloucester, as he murders his way to the throne in another Shakespeare history play, Richard III. First, Edward, Prince of Wales, tells his father–Richard Plantagenet, Duke of York–that he either killed or severely wounded the Duke of Buckingham. As proof, Edward shows his father his bloody sword. Not to be outdone, Montague then displays his sword, stained with the blood of the Earl of Wiltshire. Richard, Duke of Gloucester, then ends the game of one-upmanship by throwing down the head of the Duke of Somerset. Plantagenet then says, “Richard hath best deserv’d of all my sons” (1. 1. 19). Henry VI, though a good man, was one of England's weakest rulers. Ironically, his father, the warrior king Henry V, was one of England's strongest and most beloved monarchs. Henry VI may have inherited his father's throne, but not his genes. Perhaps even more ironic, though, is that Henry VI was king of England for approximately 40 years, a term of office far longer than all but a few English monarchs. Henry Bolingbroke's ascendancy to the English throne as Henry IV was the germinal event that triggered the War of the Roses (1455-1485) between the House of Lancaster–founded by Bolingbroke's father, John of Gaunt–and the House of York. For additional information on the War of the Roses, click here. Lineage of the Houses of Lancaster and York House
of Lancaster: Henry IV ("Bolingbroke," son of the Duke of Lancaster),
1399-1413. Age at death: 47. Henry V (son of Henry IV), 1413-1422. Age
at death: 34. Henry VI (son of Henry V, deposed), 1422-1471. Age at death:
49.
Study Questions and Essay Topics 1.
Which is the most admirable character in the play? Which is the least admirable?
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| Film | Director | Actors |
| Antony and Cleopatra (1974) | Trevor Nunn, John Schoffield | Richard Johnson, Janet Suzman |
| As You Like It (1937) NR | Paul Czinner | Henry Ainley, Felix Aylmer |
| Hamlet (1948) NR | Laurence Olivier | Laurence Olivier, Jean Simmons |
| Hamlet (1990) NR | Kevin Kline | Kevin Kline |
| Hamlet (1991) PG | Franco Zeffirelli | Mel Gibson, Glenn Close |
| Hamlet (1996) PG-13 | Kenneth Branagh | Kenneth Branagh, |
| Hamlet (1964) NR | John Gielgud, Bill Colleran | Richard Burton, Hume Cronyn |
| Hamlet (1964) NR | Grigori Kozintsev | Innokenti Smoktunovsky |
| Hamlet (2000) NR | Cambpell Scott, Eric Simonson | Campbell Scott, Blair Brown |
| Henry V (1989) PG-13 | Kenneth Branagh | Kenneth Branaugh, Derek Jacobi |
| Henry V( 1946) NR | Laurence Olivier | Leslie Banks, Felix Aylmer |
| Julius Caesar (1950) NR | David Bradley | Charlton Heston |
| Julius Caesar (1953) NR | Joseph L. Mankiewicz | Marlon Brando, James Mason |
| Julius Caesar (1970) G | Stuart Burge | Charlton Heston, Jason Robards |
| King Lear (1970) | Grigori Kozintsev | Yuri Yarvet |
| King Lear (1971) | Peter Brook | Cyril Cusack, Susan Engel |
| King Lear (1974) NR | Edwin Sherin | James Earl Jones |
| King Lear (1976) NR | Tony Davenall | Patrick Mower, Ann Lynn |
| King Lear (1984) NR | Michael Elliott | Laurence Olivier, Colin Blakely |
| King Lear (1997) NR | Richard Eyre | Ian Holm |
| Love's Labour's Lost (2000) | Kenneth Branagh | Kenneth Branagh, Alicia Silverstone |
| Macbeth (1971) R | Roman Polanski | Jon Finch, Francesca Annis |
| Macbeth (1978) NR | Philip Casson | Ian McKellen, Judy Dench |
| The Merchant of Venice (2004) R | Michael Radford | Al Pacino, Jeremy Irons |
| The Merchant of Venice (2001) NR | Christ Hunt, Trevor Nunn | David Bamber, Peter De Jersey |
| The Merry Wives of Windsor (1970) NR | Leon Charles, Gloria Grahame | |
| Midsummer Night's Dream (1996) PG-13 | Adrian Noble | Lindsay Duncan, Alex Jennings |
| A Midsummer Night's Dream (1999) | Michael Hoffman | Kevin Kline, Michelle Pfeiffer |
| Much Ado About Nothing (1993) PG 13 | Kenneth Branaugh | Branaugh, Emma Thompson |
| Othello (1990) NR | Trevor Nunn | Ian McKellen, Michael Grandage |
| Othello (1955) NR | Orson Welles | Orson Welles |
| Ran (1985) Japanese Version of King Lear R | Akira Kurosawa | Tatsuya Nakadai, Akira Terao |
| Richard II (2001) NR | John Farrell | Matte Osian, Kadina de Elejalde |
| Richard III (1912) NR | André Calmettes, James Keane | Robert Gemp, Frederick Warde |
| Richard III - Criterion Collection (1956) NR | Laurence Olivier | Laurence Olivier, Ralph Richardson |
| Richard III (1995) R | Richard Loncraine | Ian McKellen, Annette Bening |
| Romeo and Juliet (1968) G | Franco Zeffirelli | Leonard Whiting, Olivia Hussey |
| Romeo and Juliet (1996) PG-13 | Baz Luhrmann | Leonardo DiCaprio, Claire Danes |
| Romeo and Juliet (1976) NR | Joan Kemp-Welch | Christopher Neame, Ann Hasson |
| The Taming of the Shrew (1967) | Franco Zeffirelli | Elizabeth Taylor, Richard Burton |
| The Taming of the Shrew (1976) | Kirk Browning | Raye Birk, Earl Boen, Ron Boussom |
| The Taming of The Shrew (1983) NR | Franklin Seales, Karen Austin, | |
| The Tempest PG | Paul Mazursky | John Cassavetes, Gena Rowlands |
| The Tempest (1998) | Jack Bender | Peter Fonda, John Glover, Harold Perrineau, |
| Throne of Blood (1961) Macbeth in Japan NR | Akira Kurosawa | Toshirô Mifune, Isuzu Yamada |
| Twelfth Night (1996) PG | Trevor Nunn | Helena Bonham Carter |
| The Winter's Tale (2005) NR | Greg Doran | Royal Shakespeare Company |