...
.
Circumstantial Evidence
Suggests Shakespeare Held Fast
To Roman Catholicism
but Foolproof Documentation Lacking
.
By Michael
J. Cummings..©
2005
.
.......Was
William Shakespeare a lifelong Roman Catholic?
.......That
question has generated lively debate for centuries. Today, it ranks as
one of the most actively investigated questions about Shakespeare, who
was born in Stratford, England, in 1564 and died there in 1616 at age 52.
.......Why
does the question matter? It matters because Shakespeare was the most important
playwright in the English language. Any glimpse into his private mind,
any glimpse into the core of his beliefs, can reveal new insights about
why he wrote what he did about God, religion, and the universe—and can
thus give us a deeper understanding of the characters in his tragedies,
comedies, and histories. They are, after all, ourselves.
.......We
can say this much for certain about Shakespeare: He was the son of a man
and a woman who actively practiced Roman Catholicism before and at the
time of their marriage during the reign of Queen Mary I, the daughter of
King Henry VIII and his first wife, Catherine of Aragon. Mary, who ruled
England from 1553 to 1558, espoused the Catholic religion of her mother
as the one true faith, renouncing the Protestant Church of England (Anglican
Church)—founded by her father—and imposing severe penalties (including
death sentences) on Protestants who refused to follow her example.
.......Whether
William Shakespeare’s parents, John Shakespeare and Mary Arden Shakespeare,
were Catholics at the time of William’s birth in 1564 is open to speculation.
Here is why: Upon the death of Queen Mary in 1558, the Protestant daughter
of Henry VIII and his second wife, Anne Boleyn, acceded to the English
throne as Elizabeth I and recognized the Protestant faith as the official
state religion. Using parliamentary laws approved early in Elizabeth’s
reign, the government required citizens to attend the Protestant services
of the Church of England under penalty of a heavy fine or worse. Holders
of religious and municipal offices had to swear an oath of allegiance to
the queen as the supreme religious authority in England to avoid loss of
their positions and, in some cases, to avoid imprisonment or execution.
Consequently, the ability to succeed in the Elizabethan world—and sometimes
merely to stay alive—depended on one’s willingness to renounce Catholicism
publicly.
.......Although
the queen generally frowned on intrusion into the privacy of the home,
there were times when government spies poked their noses through any window,
or across any threshold, to ferret out religious nonconformists. In fact,
at times, Elizabeth's secret police would follow a suspected Catholic anywhere
and would check every closet, every attic, and every cellar in his house
to turn up incriminating evidence.
Topcliffe:
Elizabeth's Ruthless Spy
.......The
most notorious Catholic-tracker in Elizabeth's service was Richard Topcliffe,
who maintained a torture chamber in his house. There, he subjected captives
to excruciating agonies. One of these captives was Robert Southwell (1561-1595),
a Jesuit priest and poet who lived and moved in England's Catholic underground.
After arresting Southwell in 1592 while Southwell was saying mass, Topcliffe
tortured him in at least 10 separate sessions, but the priest refused to
disavow his religion. Topcliffe
then transferred him to Gatehouse Prison in London and later to the Tower
of London. After about two-and-a-half years of confinement—all the while
refusing to renounce his religion—Southwell was taken to Middlesex Gallows
on Tyburn Hill for execution by hanging, drawing, and quartering. First
he was hanged. Then his body was drawn and quartered, although the executioners
may have waited until he was dead (as a concession to a crowd that sympathized
with Southwell) before carrying out the drawing and quartering. (In such
elaborate and grisly executions, it was customary to cut down the hanged
man while he was still alive, then draw and quarter him. Drawing and quartering
involved removing the prisoner's intestines while he was still conscious,
burning them—again, while he was still conscious—then beheading him and
dividing his body into four parts.) Ironically, Southwell's mother had
served as a governess for Queen Elizabeth.
.......Public
executions of Catholics frightened recusants, causing some of them to exercise
extreme caution against discovery or to renounce their religion altogether.
William Shakespeare must have been especially shaken by Southwell's execution,
for he had read and admired Southwell's poetry. But there is more: Southwell
also read Shakespeare and wrote a critical work, St. Peter's Complaint,
in which he alludes to several Shakespeare works while urging all Elizabethan
writers to focus on religious themes glorifying God rather than on worldly
themes. Michael Wood—a London historian famous for writing and hosting
television documentaries on history, culture, art, war, archeology, and
politics—asserts in a 2003 documentary, In
Search of Shakespeare, that Southwell was Shakespeare's cousin
and that their blood relationship could imply that they also shared a common
religion. As evidence of Southwell's kinship with Shakespeare, Wood cites
Southwell's address at the beginning of St. Peter's Complaint: "To
My Worthy Good Cosen [Cousin] Master W.S." The reference to "W.S."
is a reference to William Shakespeare, Wood believes. Wood's conclusion
here is logical. After all, Southwell refers in St. Peter's Complaint
to Shakespeare's Venus and Adonis, as well as other Shakespeare
works. Unfortunately, Southwell never spelled out the full name of "W.S."
Moreover, Wood presented no evidence that Shakespeare shared Southwell's
Catholic mindset. Nevertheless, Wood has pricked the skin of an intriguing
apple; would that we could peal this apple to the core.
Stubborn
Loyalists
.......In
spite of the dangers facing them, many Britons stubbornly remained loyal
to the “old faith,” as Roman Catholicism came to be known after Henry VIII
broke with Rome in the 1530's. But what about Shakespeare's parents? Three
years before William's birth, a Protestant named John Bretchgirdle was
appointed pastor of Stratford’s Holy Trinity Church. As Stratford became
“Protestantized,” John Shakespeare publicly accepted the Church of England.
Records indicate that he even participated in remaking the church and the
chapel in the local guild hall into Protestant houses of worship between
1560 and 1571. Images were by painted over; stained-glass windows were
replaced; and the elaborate trappings of Catholic ritual were removed.
But strong evidence—outlined in numbered examples below—suggests that John
and Mary remained Catholic in secret. If so, William Shakespeare grew up
inculcated with Catholic teaching.
......Remaining
Catholic during the first three decades of Elizabeth’s reign was not only
a matter of conscience for some citizens but also a matter of prudent political
judgment, for the possibility existed that another Catholic—Mary, Queen
of Scots, who was the grandniece of Henry VIII—would succeed in her effort
to claim the English throne. She and her Catholic supporters maintained
that Elizabeth was not the rightful queen, inasmuch as she was the daughter
of Anne Boleyn. Catholics believed Henry VIII’s divorce of Catherine of
Aragon was invalid, making Henry's marriage to Miss Boleyn illegal. Therefore,
they said, Elizabeth was a bastard and thus ineligible to become queen.
However, the issue became moot in 1587, when Elizabeth had Mary executed.When
King James I of Scotland became King James VI of England upon the death
of Queen Elizabeth in 1603, he continued to enforce anti-Catholic laws
......Whether
William Shakespeare accepted the Protestant faith under Elizabeth or James
as a matter of conscience is uncertain. Research to date suggests, but
does not prove, that he was a secret Catholic to the end of his life. Following
is the key evidence supporting the position that Shakespeare was reared
a Catholic and remained a Catholic:
.
1...John
Shakespeare's Recusancy
Shakespeare’s
father, John, was identified in 1592 as a recusant, a Catholic who refused
to attend the services of the Church of England. However, no one has firmly
established why he missed the services. The possibility exists that his
absence was due to reasons unconnected with his religious beliefs. On the
other hand, one may fairly ask why he was accused of recusancy instead
of simple truancy. Of course, one may also fairly ask whether William Shakespeare
would have followed the example of his father if the latter had remained
Catholic.
2...Mary
Shakespeare's Catholicity
Shakespeare’s
mother, Mary Arden Shakespeare, belonged to a fiercely loyal Catholic family
not far from Stratford. A member of that family, Edward Arden (whose father
was a cousin of Mary), befriended Catholics—including a priest named Hugh
Hall, who lived in disguise on Edward Arden’s property—and opposed the
religious policies of the Crown. The government eventually caught up with
him and accused him of plotting against the queen. He was executed him
in 1583, and his head was impaled on a stake atop London Bridge. However,
this evidence fails to demonstrate that Mary Arden Shakespeare was as fixed
in her religious views as Edward Arden. If she had decided to bend to the
will of the Crown rather than to follow the example of Edward, William
might well have decided to walk in her footsteps.
3...William
Shakespeare's Schooling
When
he was an elementary student at the King’s New School in Stratford, William
Shakespeare’s schoolteachers included at least two Roman Catholics, Simon
Hunt and John Cottom, who may have taught or promoted Catholic ideas. A
third teacher, Thomas Jenkins, may also have been a Catholic. However,
Shakespeare’s plays suggest that as a boy he used the Protestant Geneva
Bible, published in English on the European continent between 1557 and
1560 and in England in 1576. It is possible that Shakespeare was also familiar
with the first English translation of the Catholic Bible, the Douay-Rheims
version. The New Testament of that Bible became available in England in
1582 and the Old Testament, between 1609 and 1610.
4...William
Shakespeare's Wedding
John
Frith, who presided at Shakespeare’s marriage to Anne Hathaway in 1582
in the village of Temple Grafton (about four miles from Stratford), was
identified by the government in 1586 as a Roman Catholic priest even though
he had outwardly affected Protestant ways. It is reasonable to speculate,
therefore, that Shakespeare chose the church in Temple Grafton as the site
of his wedding, not the then Protestant church in his hometown, because
he wanted to marry in a Catholic ceremony.
5...Shakespeare
and Southwell: Were They Spiritual Kin?
See
Topcliffe:
Elizabeth's Reichsführer, above.
6...The
Mysterious Document Hidden in the Rafters
A document
found in John Shakespeare’s home—in which William lived as a boy and a
teenager, then as a married man with his wife until 1597, when he bought
his own home in Stratford—contained wording identical to that in a pamphlet
distributed by Edmund Campion (1540-1581), a Jesuit priest. The pamphlet
was an English translation of an Italian document written by the Catholic
Archbishop of Milan, Charles Borromeo (1538-1584). Borromeo (in Italian,
Carlo
Borromeo), a member of the religious
society of Oblates of St. Ambrose (known today as the Oblates of St. Charles),
was a major figure in the Catholic Counter-Reformation, a movement to combat
the Protestant Reformation. His pamphlet was a deathbed profession of faith
used to hearten persecuted Catholics in Europe. Campion pretended to be
a jewel merchant while distributing the pamphlet and ministering and preaching
to English Catholics at clandestine meetings, including gatherings less
than 15 miles from Stratford. The found document in the Shakespeare home—a
John Shakespeare's will with the pamphlet wording appended—was discovered
on April 29, 1757, by a bricklayer. It was stuffed between rafters and
the roof covering. The owner of the home at that time was John Hart, a
descendant Joan Shakespeare, William's sister, and Joan's husband, William
Hart. If the pamphlet was authentic and if it was hidden by John Shakespeare,
it would link him directly or indirectly with Campion, who was tortured
and executed in 1581 for promoting Catholicism and denouncing the Church
of England. William Shakespeare was living in his father’s home (on Henley
Street in Stratford) at the time of Campion’s campaign and likely would
have known about the will. Whether he would have approved of the religious
message in it is arguable.
7...Was
Shakespeare "Shakeshafte"?
As
a teenager, William Shakespeare may have practiced the Catholic faith under
the name "William Shakeshafte" while working for and living with Alexander
Hoghton (also spelled de Hoghton and Houghton) and his family
in a sprawling, castle-like manor house in northwest England near the towns
of Preston, Blackburn, and Darwen in the county of Lancashire. Known as
Hoghton Tower and alternately Hoghton Castle, the manor house was a hotbed
of Catholic activity, with priests (such as Edmund Campion) or aspiring
priests using it as a kind of way station while traveling to and from the
European continent. That Shakespeare was an employee (a servant or perhaps
a tutor of children ) in the Hoghton household is based on the following
information:
A...Hoghton
identified William Shakeshafte as an employee of his.
B...William
Shakespeare's grandfather, Richard, once used the name Shakeshafte.
C...William
Shakeshafte's initials, W.S., were the same as William Shakespeare's
D...Shafte
is an Elizabethan spelling variation of shaft, and speare
is a variation of spear. Dictionaries define shaft in primary
definitions as the cylindrical part of a spear, or the spear itself. Hence,
Shake
and shafte could represent Shake and speare, or Shakespeare.
E..John
Cottom, one of William Shakespeare's teachers at the King's New School
in Stratford, was an acquaintance of Alexander Hoghton. Cottom's brother
was tortured and executed for espousing the Catholic cause...
F..Edmund
Campion, a Catholic priest who distributed a pamphlet with a message repeated
in the will of William Shakespeare's father, was among the Catholic visitors
to Hoghton Tower.
G..Hoghton
maintained a private theater, costumes, and musical instruments for staging
plays.
H..In
his will, Hoghton bequeathed his theater paraphernalia to his brother-in-law,
Thomas Hesketh, in the event that Hoghton's brother, Thomas, had no use
for them. Hoghton also recommended that Hesketh accept Shakeshafte in his
service.
I..Hesketh
once took a group of actors to the home of the Earl of Derby. The earl's
son, Lord Strange, maintained a company of actors.
J..In
London, Shakespeare was believed to have first worked for an acting company
called Lord Strange's Men, according to the Encyclopedia Britannica.
K..One
of the financial backers of the Globe Theatre, in which Shakespeare held
part ownership and staged many of his most famous plays, was Thomas Savage,
who had resided in Lancashire and married a member of the Hesketh family.
(See H and I, above.)
The
evidence in Points A to K above has been discussed by various writers over
the years. In 1923 Edmund Chambers was the first researcher to consider
the possibility that Shakeshafte was Shakespeare. In a 1937 book, Shakespeare's
Warwickshire and the Unknown Years, Oliver Baker, of Stratford, pursued
this theory. Chambers continued his research after the Baker book, and
many other researchers—including Ernst A.J. Honigmann, in Shakespeare:
The Lost Years—followed up on the research of both Edmunds and Baker.
The combined research indicates that the Hoghton home was a safe house
for Catholics, where William Shakespeare (if he indeed worked there) could
practice Catholicism—or at least retain Catholic beliefs—without fear of
discovery. Daring theorists have even suggested that William himself originally
intended to go to the European continent to study for the priesthood.
.
.
8...The
Gunpowder Plot and a Possible Shakespeare-Campion Connection
In
November 1605, defiant recusants plotted to kill King James I, the queen,
their oldest son, and members of Parliament by exploding barrels of gunpowder
beneath the House of Lords and the adjacent royal palace. However, before
the conspirators could execute their plan—scheduled for Nov. 5—government
authorities arrested one of the plotters, Guy Fawkes, after receiving a
tip. They tortured him until he disclosed the details of the conspiracy,
which became known in English history as the Gunpowder Plot. What makes
this incident relevant in research about Shakespeare's religion is that
the leader of the conspiracy, Robert Catesby (1573-1605), and other conspirators
lived in the Stratford region. Catesby's father, Sir William Catesby, once
hosted Edmund Campion (1540-1581), the Jesuit priest mentioned in Numbers
6 and 7 above, at the Catesby home in Lapworth, Warwickshire. There is
speculation that William Shakespeare once met Campion and approved of his
activities.
9...The
Empty Pew
Although
the English government maintained records of persons attending Protestant
services, no records exist indicating that William Shakespeare registered
as a member of the Church of England, as required, while he lived off and
on in London.
10...The
Empty Pew 2: Shakespeare's Daughter Identified as a Recusant
On
May 5, 1606, the government identified Shakespeare’s daughter Susanna as
a recusant for failing to attend an Easter service of the Church of England
at which she was supposed to receive holy communion. If Susanna was indeed
a recusant, one may fairly speculate that her father, William, reared her
a Catholic. Of course, it is possible she was her own guiding star on matters
of conscience—or missed the Easter service because she was suffering from
a bad headache.
11...Blackfriars
Gatehouse: Catholic Haven or Investment Property?
On
March 10, 1613, Shakespeare purchased Blackfriars Gatehouse on Puddle Dock
Hill in London from Henry Walker for £140. Presumably, Shakespeare
planned to rent the property and perhaps live there during his last days
as a London playwright. However, the gatehouse was said to be a hiding
place for London Catholics, complete with tunnels. Whether Shakespeare
bought the property to aid Catholics or to augment his income and provide
lodging for himself cannot be determined. The Folger Shakespeare Library
in Washington, D.C., holds Shakespeare's
copy of the deed of purchase for the gatehouse.
12...Anglican
Minister's Testimony
A statement
affirming that Shakespeare died a Catholic was written, ironically, by
an Anglican minister, Archdeacon Richard Davies, of Gloucestershire. In
the late 1600's, he wrote notes added to a reference work—a collection
of biographies written by the Rev. William Fulman—that said Shakespeare
"dyed a Papyst [died a Papist]." A Papist was a Catholic loyal to the pope
and the church of Rome. However, the reliability of Davies' information
is dubious, for in the same notes he also says Shakespeare in his youth
stole deer and other animals from the property of Sir Thomas Lucy (1532-1600)
of Charlecote, Warwickshire. Many Shakespeare scholars (but not all of
them) have since labeled this story apocryphal. According to an article
first published in 1918 in Old
and Sold Antiques Digest, the Fulman manuscript is in the possession
of Oxford University's Corpus Christi College.
13...Shakespeare's
Plays and Their Catholic Characters
Numerous
passages in Shakespeare’s plays indicate that he had a deep understanding
of Catholicism, its tenets, and its rituals. Moreover, he often cast Catholic
characters in a favorable light in conflicts involving moral principles,
unjust traditions and practices, and theological and philosophical issues.
Among these Catholic characters and the plays in which they appear are
Hamlet, in Hamlet, Prince of Denmark; Aemilia, the abbess in The
Comedy of Errors; Friar Laurence, in Romeo and Juliet; Friar
Francis, in Much Ado About Nothing; and Thomas More, in Sir Thomas
More (a play believed to be of joint authorship, with passages written
or revised by Shakespeare). However, Shakespeare also depicted Catholic
characters in an unfavorable light, including Joan of Arc, in Henry
VI Part I; Cardinal Thomas Wolsey, in Henry VIII; the Archbishop
of Canterbury and the Bishop Ely, in Henry V; and the heartless
aristocrats in The Merchant of Venice, who ridicule Shylock, a Jewish
moneylender, and force him to become a Christian.
14...Shakespeare's
Outcasts: Catholic Surrogates?
Shakespeare
populates many of his plays with outcasts. If Shakespeare had clung to
Catholicism, he may have been using these outcasts to symbolize his own
status as a religious pariah. Among his outcast characters and the plays
in which they appear are Duke Senior and his outlaws, in As You Like
It; Prospero, in The Tempest; Posthumus Leonatus, in Cymbeline;
Timon, in Timon of Athens; and Cordelia, the Earl of Kent, and Edgar,
in King Lear. It is even possible (if one wishes to delve further
into sheer speculation) that Shakespeare deliberately made Shylock, the
Jewish moneylender in The Merchant of Venice, a sympathetic character
because of his outcast religious status. Few Jews lived in England in Shakespeare’s
time, for the government had expelled everyone espousing the Jewish faith
under a 1290 decree. However, a small number of Jews remained in England
over the centuries, pretending to accept Christianity. In the Elizabethan
and Jacobean eras, publicly professing Christianity meant a Jew had to
pledge allegiance to the Church of England, like a Catholic. |
.
.......None
of these 14 examples of evidence is strong enough on its own to withstand
intelligent rebuttal. Indeed, several examples are mere conjecture. However,
considered collectively, these examples form an impressive body of circumstantial
evidence to make the case for a Catholic Shakespeare. My own view is that
Shakespeare was probably a lifelong Catholic, but I readily acknowledge
that not enough documentation exists to prove that he was. It is unlikely
that such documentation will come through exhaustive exegesis of his complete
works; for, as Shakespeare himself wrote, “The devil can cite Scripture
for his purpose” (Antonio to Bassanio, Act I, Scene III, Line 99, The
Merchant of Venice). In other words, any researcher can bend the
meaning of virtually any Shakespeare passage to serve his own viewpoint.
.......Perhaps
the day will come when some attic—or some library packed with crumbling
yellow documents—will yield a paper in Shakespeare’s own hand that attests
to his religious beliefs. Until then, the debate over his religious beliefs
will go on while Shakespeare sleeps the eternal sleep inside his Stratford
tomb in a Protestant church that once was Catholic.
.
Plays
on DVD (or VHS)
..
Play |
Director |
Actors |
Antony
and Cleopatra (1974) |
Trevor
Nunn, John Schoffield |
Richard
Johnson, Janet Suzman |
Antony
and Cleopatra |
BBC
Production |
Jane
Lapotaire |
As
You Like It (2010) |
Thea
Sharrock |
Jack
Laskey, Naomi Frederick |
As
You Like It (1937) |
Paul
Czinner |
Henry
Ainley, Felix Aylmer |
The
Comedy of Errors |
BBC
Production |
Not
Listed |
Coriolanus |
BBC
Production |
Alan
Howard, Irene Worth |
Cymbeline |
Elijah
Moshinsky |
Claire
Bloom, Richard Johnson, Helen Mirren |
Gift
Box: The Comedies |
BBC
Production |
Various |
Gift
Box: The Histories |
BBC
Production |
Various |
Gift
Box: The Tragedies |
BBC
Production |
Various |
Hamlet
(1948) |
Laurence
Olivier |
Laurence
Olivier, Jean Simmons |
Hamlet
(1990) |
Kevin
Kline |
Kevin
Kline |
Hamlet(1991) |
Franco
Zeffirelli |
Mel
Gibson, Glenn Close |
Hamlet
(1996) |
Kenneth
Branagh |
Kenneth
Branagh, |
Hamlet
(2009) |
Gregory Doran |
David Tennant, Patrick Stewart,
Penny Downie |
Hamlet
(1964) |
John
Gielgud, Bill Colleran |
Richard
Burton, Hume Cronyn |
Hamlet
(1964) |
Grigori
Kozintsev |
Innokenti
Smoktunovsky |
Hamlet
(2000) |
Cambpell
Scott, Eric Simonson |
Campbell
Scott, Blair Brown |
Henry
V (1989) |
Kenneth
Branagh |
Kenneth
Branaugh, Derek Jacobi |
Henry
V( 1946) |
Laurence
Olivier |
Leslie
Banks, Felix Aylmer |
Henry
VI Part I |
BBC
Production |
Peter
Benson, Trevor Peacock |
Henry
VI Part II |
BBC
Production |
Not
Listed |
Henry
VI Part III |
BBC
Production |
Not
Listed |
Henry
VIII |
BBC
Production |
John
Stride, Claire Bloom, Julian Glover |
Julius
Caesar |
BBC
Production |
Richard
Pasco, Keith Michell |
Julius
Caesar (1950) |
David
Bradley |
Charlton
Heston |
Julius
Caesar (1953) |
Joseph
L. Mankiewicz |
Marlon
Brando, James Mason |
Julius
Caesar (1970) |
Stuart
Burge |
Charlton
Heston, Jason Robards |
King
John |
BBC
Production |
Not
Listed |
King
Lear (1970) |
Grigori
Kozintsev |
Yuri
Yarvet |
King
Lear (1971) |
Peter
Brook |
Cyril
Cusack, Susan Engel |
King
Lear (1974) |
Edwin
Sherin |
James
Earl Jones |
King
Lear (1976) |
Tony
Davenall |
Patrick
Mower, Ann Lynn |
King
Lear (1984) |
Michael
Elliott |
Laurence
Olivier, Colin Blakely |
King
Lear (1997) |
Richard
Eyre |
Ian
Holm |
Love's
Labour's Lost (2000) |
Kenneth
Branagh |
Kenneth
Branagh, Alicia Silverstone |
Love's
Labour's Lost |
BBC
Production) |
Not
Listed |
Macbeth
(1978) |
Philip
Casson |
Ian
McKellen, Judy Dench |
Macbeth |
BBC
Production |
Not
Listed |
The
Merchant of Venice |
BBC
Production |
Warren
Mitchell, Gemma Jones |
The
Merchant of Venice (2001) |
Christ
Hunt, Trevor Nunn |
David
Bamber, Peter De Jersey |
The
Merchant of Venice (1973) |
John
Sichel |
Laurence
Olivier, Joan Plowright |
The
Merry Wives of Windsor (1970) |
Not
Listed |
Leon
Charles, Gloria Grahame |
Midsummer
Night's Dream (1996) |
Adrian
Noble |
Lindsay
Duncan, Alex Jennings |
A
Midsummer Night's Dream (1999) |
Michael
Hoffman |
Kevin
Kline, Michelle Pfeiffer |
Much
Ado About Nothing (1993) |
Kenneth
Branaugh |
Branaugh,
Emma Thompson |
Much
Ado About Nothing (1973) |
Nick
Havinga |
Sam
Waterston, F. Murray Abraham |
Othello
(2005) |
Janet
Suzman |
Richard
Haines, John Kaki |
Othello
(1990) |
Trevor
Nunn |
Ian
McKellen, Michael Grandage |
Othello
(1965) |
Stuart
Burge |
Laurence
Olivier, Frank Finlay |
Othello
(1955) |
Orson
Welles |
Orson
Welles |
Othello
(1983) |
Franklin
Melton |
Peter
MacLean, Bob Hoskins, Jenny Agutter |
Ran
(1985) Japanese Version of King Lear |
Akira
Kurosawa |
Tatsuya
Nakadai, Akira Terao |
Richard
II (2001) |
John
Farrell |
Matte
Osian, Kadina de Elejalde |
Richard
III (1912) |
André
Calmettes, James Keane |
Robert
Gemp, Frederick Warde |
Richard
III - Criterion Collection (1956) |
Laurence
Olivier |
Laurence
Olivier, Ralph Richardson |
Richard
III (1995) |
Richard
Loncraine |
Ian
McKellen, Annette Bening |
Richard
III |
BBC
Production |
Ron
Cook, Brian Protheroe, Michael Byrne |
Romeo
and Juliet (1968) |
Franco
Zeffirelli |
Leonard
Whiting, Olivia Hussey |
Romeo
and Juliet (1996) |
Baz
Luhrmann |
Leonardo
DiCaprio, Claire Danes |
Romeo
and Juliet (1976) |
Joan
Kemp-Welch |
Christopher
Neame, Ann Hasson |
Romeo
and Juliet |
BBC
Production |
John
Gielgud, Rebecca Saire, Patrick Ryecart |
The
Taming of the Shrew |
Franco
Zeffirelli |
Elizabeth
Taylor, Richard Burton |
The
Taming of the Shrew |
Kirk
Browning |
Raye
Birk, Earl Boen, Ron Boussom |
The
Taming of The Shrew |
Not
Listed |
Franklin
Seales, Karen Austin |
The
Tempest |
Paul
Mazursky |
John
Cassavetes, Gena Rowlands |
The
Tempest (1998) |
Jack
Bender |
Peter
Fonda, John Glover, Harold Perrineau, |
Throne
of Blood (1961) Macbeth in Japan |
Akira
Kurosawa |
Toshirô
Mifune, Isuzu Yamada |
Twelfth
Night (1996) |
Trevor
Nunn |
Helena
Bonham Carter |
Twelfth
Night |
BBC
Production |
Not
Listed |
The
Two Gentlemen of Verona |
BBC
Production |
John
Hudson, Joanne Pearce |
The
Winter's Tale (2005) |
Greg
Doran |
Royal
Shakespeare Company |
The
Winter's Tale |
BBC
Production |
Not
Listed |
|