Pit and Pendulum
Evening With Poe
Of Edgar Allan Poe
And Enlightening Look
By Edgar Allan Poe (1809-1849)
A Study Guide
.......“The Oval Portrait" is a short story with Gothic overtones. It is a revision of an earlier Poe story, "Life in Death," published in Graham's Magazine in April 1842. Poe improved the story and published the new version, "The Oval Portrait," for the first time in the April 26, 1845, issue of The Broadway Journal.
.......The time is the first half of the nineteenth century. The place is a chateau in the Apennines, a mountain range in central Italy.
Wounded man who takes refuge with his valet in an abandoned chateau in
Italy. As he settles into an apartment, he believes he is beginning to
develop symptoms of delirium as a result of his injury.
.......The narrator tells the story in first-person point of view. However, when presenting the history of the oval portrait, he quotes directly from a book that he finds in the apartment of the chateau. The quotation begins with these words: "She was a maiden of rarest beauty. . . ." The rest of thestory consists entirely of a continuation of the quotation.
.......The "Oval Portrait" provides no details about the narrator's wound. However, in the first version of the story, entitled “Life in Death,” Poe wrote in the opening paragraph that the narrator had suffered the wound in a confrontation with bandits. In addition, he wrote that the narratorswallowed opium to alleviate the fever caused by the wound. In the revised final version of the story, he deleted the opening paragraph, apparently believing that the narrator's use of opium would destroy his credibility, rendering his tale as the product of opium-inducedintoxication.
.......In the opening of the story, the narrator mentions a Mrs. Radcliffe. Here is the sentence:
The chateau into which my valet had ventured to make forcible entrance, rather than permit me, in my desperately wounded condition, to pass a night in the open air, was one of those piles of commingled gloom and grandeur which have so long frowned among theApennines, not less in fact than in the fancy of Mrs. Radcliffe........The narrator is alluding to Mrs. Ann Radcliffe (1764-1823), an English author of Gothic romance novels with scenes that often take place in gloomy castles. Among these novels are A Sicilian Romance and The Mysteries of Udolpho, about a young woman whom a villain imprisons in a castle.
the setting of the story is Italy, the narrator's valet has a Spanish name,
Pedro, for Peter. (The Italian name for Peter is Pietro.) What gives? According
to the first version of the story, the narrator had spent time in Constantinople
(present-day, Istanbul), Turkey, where he begansmoking opium. Apparently
he is traveler. It may be that he hired the valet in Spain and took him
along on all his travels. It is also possible that Pedro is a Spaniard
who happened to take up residence in Italy.
By Michael J. Cummings...© 2009
.......Wounded, the narrator takes refuge at nightfall with his valet, Pedro, in an apartment in the turret of a grand but gloomy chateau in Italy's Apennines Mountains. Pedro had broken into the building, which appears to have been temporarily abandoned, so that his injured employer would have aplace to rest.
.......The furnishings are elegant but old and run-down. On the walls are tapestries, armorial trophies, and modern paintings in frames with intricate golden designs. In his excited state of mind (the delirium that appears to be setting in as a result of his injury), the narrator becomes fascinated with the paintings. So that he may contemplate them while lying down, he directs Pedro to light a candelabrum next to the bed and draw back the bed curtains. A small book he had found on the bed describes the paintings.
.......Hours pass as he reads the book intently. About midnight, he draws the candelabrum closer for more light. When he does so, he casts light on a painting in a niche, a painting he had not noticed until now. It portrays a young girl "just ripening into womanhood," the narrator says. After lookingupon it for a moment, he closes his eyes while he considers whether his vision had deceived him. In a few moments, he looks again. It is a head-and-shoulders vignette in a gilded oval frame. Though the painting is a worthy work of art, it was not the painter's style or the extraordinary beautyof the young lady that had startled the narrator moments before; it was the absolutely lifelike expression on her face. It now appalls him. The narrator returns the candelabra to its former place, casting the painting back into the shadows. He then looks up the oval portrait in thebook.
.......It says the lady was the wife of a painter who loved his art more than he loved her. One day, he expressed a desire to paint her portrait. Meekly and obediently, she agreed to sit for it in the dim light of the turret; however, she did not look forward to the prospect of watching her husband lavish his affections on a canvas rather than on her.
.......“[H]e . . . took glory in his work, which went on from hour to hour, and from day to day,” the narrator says.
.......So intent was he on his task that he did not notice the “withered the health and the spirits of his bride, who pined visibly to all but him.” But she did not complain, for she did not want to disturb the pleasure that her husband—a well-known artist—took in executing the portrait. Those who saw it marveled at its remarkable likeness to his wife. They regarded it as a testament to his love for her.
.......When the portrait was nearing completion, the painter was so engrossed with his work that he refused admittance to all observers. As his work progressed, he did not realize that the hues he was daubing onto the canvas—the color of the cheeks, for example—came directly from his wife. She was aliving palette.
.......At long last, after the final stroke of his brush, the painter stood back to observe and said, “This is indeed life itself!”
.......In triumph, he turned around to his wife. She was dead. Climax
.......The artist becomes so engrossed in his work that he completely ignores his wife. Pining for his love, she dies.
.......Like a moth attracted to a flame, the young lady is attracted to an artist who burns with passion. But his passion is for his work, not for her. Nevertheless, she remains at his side—in the glow of his fire, as it were—and dies.
book the narrator reads says the young lady “was humble and obedient, and
sat meekly [for the painting] for many weeks in the dark, high turret-chamber.”
Even though her husband regards her as a mere object—like a bowl of fruit
or a flower—“she smiled on and still on,uncomplainingly.”
.......Following are examples of figures of speech in the story:
pattern of intertwining lines in the style of architecture in Arab countries.
The pattern may resemble flowers, leaves, animals, or other familiar objects.
Allan Poe was born on January 19, 1809, in Boston. After being orphaned
at age two, he was taken into the home of a childless couple–John Allan,
a successful businessman in Richmond, Va., and his wife. Allan was believed
to be Poe’s godfather. At age six, Poe went to England with theAllans
and was enrolled in schools there. After he returned with the Allans to
the U.S. in 1820, he studied at private schools, then attended the University
of Virginia and the U.S. Military Academy, but did not complete studies
at either school. After beginning his literary career as a poetand prose
writer, he married his young cousin, Virginia Clemm. He worked for several
magazines and joined the staff of the New York Mirror newspaper
in 1844. All the while, he was battling a drinking problem. After the Mirror
published his poem “The Raven” in January 1845, Poe achieved national and
international fame. Besides pioneering the development of the short story,
Poe invented the format for the detective story as we know it today. He
also was an outstanding literary critic. Despitethe acclaim he received,
he was never really happy because of his drinking and because of the deaths
of several people close to him, including his wife in 1847. He frequently
had trouble paying his debts. It is believed that heavy drinking was a
contributing cause of his death in Baltimore onOctober 7, 1849.
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