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Ovid's Pygmalion: a Study Guide | |
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By Ovid (43 BC-AD 17) From Book X of Metamorphoses A Study Guide . Based on a 1717 English Translation by John Dryden, Alexander Pope, and Others By Michael J. Cummings © 2008 .......On the island of Cyprus, a young sculptor named Pygmalion loathes women as wantons and vows never to marry. Thus, rather than spending time wooing young ladies, he devotes all his energies to his craft. One of his creations is an ivory statue of a maiden. So exquisite is itso flawlessly beautiful and desirablethat he falls in love with it.He knows 'tis madness, yet he must adore, The flesh, or what so seems, he touches oft, Which feels so smooth, that he believes it soft........Though the statue is cold and lifeless, he embraces it and provides it gifts: rare shells, pearls, and other gems; parrots, singing birds in silver cages, flowers, robes, earrings, a necklace, and rings. He also makes a splendid bed for himself and the statue, outfitting it with coverings in the royal color, purple. Then he holds a wedding that unites him with the ivory beauty. Afterward, he places the statue on the
bed, its head on a soft pillow, so that he may lie next to it. .......On a special day dedicated to Venus, the Cypriots sacrifice heifers to the goddess on altars, as is the custom. At one of the altars, Pygmalion is about to ask for divine intervention that will make the statue his flesh-and-blood wife. However, out of shame, he withholds this prayer. But Venus, well knowing what he wants, causes the flames of the sacrificial fire to shoot up, a sign indicating she has granted his wish. .......Upon returning home full of expectation, he lies down next to the statue. When he kisses it, its lips seem to redden. He also notices that its body appears to give, like flesh, when he touches it.Soft, and more soft at ev'ry touch it grew; Like pliant wax, when chasing hands reduce The former mass to form, and frame for use.When he checks the pulse, he feels a throbbing. Convinced now that the statue has become human, he gives thanks to Venus. Then lips to lips he join'd; now freed from fear, He found the savour of the kiss sincere: At this the waken'd image op'd her eyes, And view'd at once the light, and lover with surprise.Venus blesses the bed, and before the passage of ten months Pygmalions beloved gives birth to a boy, Paphos. Years later, a city in southwestern Cyprus is named after him. Setting The action is set in ancient Cyprus, an island nation in the eastern Mediterranean south of Turkey. Characters Type of Work Pronunciations of key words in this study guide are as follows: Ovid (Ah vid), Pygmalion (pig MAIL yun), Paphos (PAH foss or PAY foss), Aphrodite (AF roh DYE te). Mental and Physical Change What readers remember most about this story is that a statue changes into a human being. But they generally forget that a profound change takes place in Pygmalion; it alters his attitude about womenor at least a particular woman. (It is possible, however, to argue that Pygmalion's attitude toward women in general remains the same: They are loathsome because they do not measure up to his concept of the ideal woman, a concept that he created in stone and that Venus incarnated.) Love Pygmalion becomes enamored of the statue, as if it were the most beautiful flesh-and-blood woman in the world. One may loosely call his obsession with the statue love. However, since the statue has no personality, it is impossible to term his passion for it true love. But after Venus transforms the statue into a human, Pygmalion may well have fallen in love with his creation. Benevolence Venus, taking pity on Pygmalion, grants his wish and makes the statue human. Climax .......Although he based the tales in Metamorphoses on existing stories, Ovid presents them with a freshness and originality that made them uniquely his own. His writing is vivid, elegant, and succinct, with the storiesincluding "Pygmalion"generally moving swiftly from beginning to end without tedious digressions or inflated language. Metamorphoses was highly popular with readers of the Augustan age (27 BC to AD 14, when Caesar Augustus ruled the Roman Empire) and became one of the best read books of the Renaissance, influencing Shakespeare and other prominent writers. The themes and motifs are as timely today as they were 2,000 years ago. .......Ovid wrote Metamorphoses in heroic hexameter, the dignified verse format of ancient epic poetry. Heroic hexameter consists of unrhymed lines that each contain six feet. Each foot is either a dactyl (a stressed syllable followed by two unstressed syllables) or a spondee (two stressed syllables). The number of syllables per line varies depending on the number of dactyls and spondees in it. A dactyl tends to accelerate the narrative in the same way that an allegro and a presto accelerate music; a spondee tends to slow the narrative like an adagio in music. Ovid chose dactyls more often than spondees so that the narrative moves along briskly. .......When translating Latin classics into English, writers generally interpret the Latin words rather than presenting a verbatim rendering of them. One reason for this approach is that Latin inflection and word order differ substantially from English inflection and word order.
From a 1717 Translation of Metamorphoses by John Dryden, Alexander Pope, Joseph Addison, William Congreve, and Others Pygmalion loathing their lascivious life, Abhorr'd all womankind, but most a wife: So single chose to live, and shunn'd to wed, Well pleas'd to want a consort of his bed. Yet fearing idleness, the nurse of ill, In sculpture exercis'd his happy skill; And carv'd in iv'ry such a maid, so fair, As Nature could not with his art compare, Were she to work; but in her own defence Must take her pattern here, and copy hence. Pleas'd with his idol, he commends, admires, Adores; and last, the thing ador'd, desires. A very virgin in her face was seen, And had she mov'd, a living maid had been: One wou'd have thought she cou'd have stirr'd, but strove With modesty, and was asham'd to move. Art hid with art, so well perform'd the cheat, It caught the carver with his own deceit: He knows 'tis madness, yet he must adore, And still the more he knows it, loves the more: The flesh, or what so seems, he touches oft, Which feels so smooth, that he believes it soft. Fir'd with this thought, at once he strain'd the breast, And on the lips a burning kiss impress'd. 'Tis true, the harden'd breast resists the gripe, And the cold lips return a kiss unripe: But when, retiring back, he look'd again, To think it iv'ry, was a thought too mean: So wou'd believe she kiss'd, and courting more, Again embrac'd her naked body o'er; And straining hard the statue, was afraid His hands had made a dint, and hurt his maid: Explor'd her limb by limb, and fear'd to find So rude a gripe had left a livid mark behind: With flatt'ry now he seeks her mind to move, And now with gifts (the pow'rful bribes of love), He furnishes her closet first; and fills The crowded shelves with rarities of shells; Adds orient pearls, which from the conchs he drew, And all the sparkling stones of various hue: And parrots, imitating human tongue, And singing-birds in silver cages hung: And ev'ry fragrant flow'r, and od'rous green, Were sorted well, with lumps of amber laid between: Rich fashionable robes her person deck, Pendants her ears, and pearls adorn her neck: Her taper'd fingers too with rings are grac'd, And an embroider'd zone surrounds her slender waste. Thus like a queen array'd, so richly dress'd, Beauteous she shew'd, but naked shew'd the best. Then, from the floor, he rais'd a royal bed, With cov'rings of Sydonian purple spread: The solemn rites perform'd, he calls her bride, With blandishments invites her to his side; And as she were with vital sense possess'd, Her head did on a plumy pillow rest. The feast of Venus came, a solemn day, To which the Cypriots due devotion pay; With gilded horns the milk-white heifers led, Slaughter'd before the sacred altars, bled. Pygmalion off'ring, first approach'd the shrine, And then with pray'rs implor'd the Pow'rs divine: Almighty Gods, if all we mortals want, If all we can require, be yours to grant; Make this fair statue mine, he wou'd have said, But chang'd his words for shame; and only pray'd, Give me the likeness of my iv'ry maid. The golden Goddess, present at the pray'r, Well knew he meant th' inanimated fair, And gave the sign of granting his desire; For thrice in cheerful flames ascends the fire. The youth, returning to his mistress, hies, And impudent in hope, with ardent eyes, And beating breast, by the dear statue lies. He kisses her white lips, renews the bliss, And looks, and thinks they redden at the kiss; He thought them warm before: nor longer stays, But next his hand on her hard bosom lays: Hard as it was, beginning to relent, It seem'd, the breast beneath his fingers bent; He felt again, his fingers made a print; "Twas flesh, but flesh so firm, it rose against the dint: The pleasing task he fails not to renew; Soft, and more soft at ev'ry touch it grew; Like pliant wax, when chasing hands reduce The former mass to form, and frame for use. He would believe, but yet is still in pain, And tries his argument of sense again, Presses the pulse, and feels the leaping vein. Convinc'd, o'erjoy'd, his studied thanks, and praise, To her, who made the miracle, he pays: Then lips to lips he join'd; now freed from fear, He found the savour of the kiss sincere: At this the waken'd image op'd her eyes, And view'd at once the light, and lover with surprise. The Goddess, present at the match she made, So bless'd the bed, such fruitfulness convey'd, That ere ten months had sharpen'd either horn, To crown their bliss, a lovely boy was born; Paphos his name, who grown to manhood, wall'd The city Paphos, from the founder call'd. Original Latin Quas quia Pygmalion aevum per crimen agentis Study Questions and Essay Topics 1. If Pygmalion hates women, why does he sculpt the figure of one? By the Author of This Web Site Plot Summaries of All the Plays and Narrative Poems | Themes | Imagery | Historical Background | Glossaries
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