Cummings
Guides Home..|..Contact
This Site..|..Shakespeare
Videos..|..Shakespeare
Books
.
..
Study
Guide Prepared by Michael J. Cummings..©
2003
Revised
in 2010.©
..
Type
of Work
.........William
Shakespeare's "The Phoenix and the Turtle" is a poem that may be characterized
as both an allegory and an elegy. An allegory is a literary work with a
hidden meaning (and sometimes several hidden meanings). An elegy is a somber
poem lamenting a person's death or memorializing the dead person.
Publication
.........“The
Phoenix and the Turtle” appeared in a 1601 book that also included works
by Shakespeare contemporaries Ben Jonson (1572-1637), George Chapman (1559-1634),
and John Marston (1576-1634).
What
Was a Phoenix?
.........In
Egyptian mythology, the phoenix was a bird that lived five hundred years,
then died in a fire after the sun ignited an Arabian tree on which the
phoenix was perched. The tree was located near Heliopolis, Egypt. From
the ashes, the phoenix rose to new life. The turtledove is a small pigeon
sometimes erroneously referred to as a mourning dove because of its melancholy
cooing. (The mourning dove is native to America, not Europe.)
The
Turtle
.........The
turtle is a turtledove, an affectionate wild dove known for its plaintive
cooing.
Meaning
of the Poem
.........The
hidden, or symbolic, meaning of “The Phoenix and the Turtle” is open to
interpretation. In other words, what or whom the birds symbolize is a matter
for the reader to decide. Some readers believe the birds represent Queen
Elizabeth I and the Second Earl of Essex, Robert Devereux (1566 or 1567-1601).
Devereux had distinguished
himself in a military campaign in The Netherlands against the Spanish in
1586 and went on to become a favorite of the queen. But he provoked her
ire when he took part in a Portugal campaign without her consent and then,
in 1590, married the widow of writer Sir Philip Sidney (1554-1586).
.........However,
he regained her favor after leading an English force against France in
1591 and enhanced his position at court by uncovering an alleged murder
plot against the queen in 1594. But after he participated in further military
exploits against the Spanish in 1596 and 1597, he fell in disfavor because
of
his unruliness and ambition, and on one occasion the queen even slapped
him. On a campaign against rebels in Ireland, he suffered a defeat and
made an objectionable truce. Consequently, Elizabeth stripped him of his
estates and political offices. In 1601, he led a failed uprising against
the queen and was executed for treason in the Tower of London.
.........Interpreted
against this background, the poem could mean that the love between Elizabeth
and Essex simply burned itself out, like the phoenix and the dove in the
poem. However, distinguished critic G.B. Harrison, editor of Shakespeare:
The Complete Works maintains that the exact meaning of the poem (if
one was intended by Shakespeare) may never be revealed because its symbolism
was apparently known only to a select inner circle in Shakespeare’s time.
“Until these persons and events are discovered,” Harrison says, “The Phoenix
and the Turtle will remain an enigma” (Shakespeare: The Complete Works.
New York: Harcourt, 1952. Page 1590).
.
.
Summary
.........In
Shakespeare's poem, the birds become one in their love and die together
in a fire. The poem begins when other birds are summoned for a funeral
pageant. Banned from attending are the fiendish screech owl (Stanza 2)
and “fowls of tyrant wing” (Stanza 3). But the eagle, a “feathered king”
(Stanza 3) is welcome, and a swan is to act as “the priest in surplice
white” (Stanza 4). The crow, too, may attend (Stanza 5), his caws and sable
feathers appropriate to the occasion. The poem then describes the loving
relationship between the phoenix and the turtledove. Stanza 9 is particularly
moving; its last line–either was the other’s mine–is superb with
its double-meaning. On the one hand, it suggests a fusing of identities:
I
am you, and you are I; or, put another way, you are mine, and I
am yours. On the other hand, it suggests that either bird is a mine–as
in gold mine or diamond mind–for the other bird.
The poem ends with a "threnos" (funeral song) eulogizing the birds.
.
The Phoenix
and the Turtle
Let the bird of loudest lay,1
On the sole Arabian tree,
Herald sad and trumpet be,
To whose sound chaste wings
obey....................4
But thou, shriking2harbinger,3
Foul pre-currer4
of the fiend,
Augur of the fever's end,
To this troop come thou
not near.........................8
From this session interdict5
Every fowl of tyrant wing,
Save the eagle, feather'd
king:
Keep the obsequy6
so strict...............................12
Let the priest in surplice7
white,
That defunctive8
music can,
Be the death-divining9
swan,
Lest the requiem lack his
right...........................16
And thou, treble-dated
crow,10
That thy sable gender mak'st
With the breath thou giv'st
and tak'st,
'Mongst our mourners shalt
thou go....................20
Here the anthem doth commence:
Love and constancy is dead;
Phoenix and the turtle fled
In a mutual flame from hence.............................24
So they lov'd, as love in
twain
Had the essence but in one;
Two distincts, division
none:
Number there in love was
slain...........................28
Hearts remote, yet not asunder;
Distance, and no space was
seen
'Twixt the turtle and his
queen;
But in them it were a wonder..............................32
So between them love did
shine,
That the turtle saw his
right
Flaming in the phoenix'
sight:
Either was the other's mine................................36
Property11
was thus appall'd,
That the self was not the
same;
Single nature's double name
Neither two nor one was
call'd............................38
Reason, in itself confounded,
Saw division grow together;
To themselves yet either-neither,
Simple were so well compounded.......................42
That it cried how true a
twain
Seemeth this concordant
one!
Love hath reason, reason
none
If what parts can so remain................................46
Whereupon it made this threne12
To the phoenix and the dove,
Co-supreme and stars of
love;
As chorus to their tragic
scene...........................48
THRENOS.
Beauty, truth, and rarity.
Grace in all simplicity,
Here enclos'd in cinders
lie.................................51
Death is now the phoenix'
nest;
And the turtle's loyal breast
To eternity doth rest,..........................................54
Leaving no posterity:—
'Twas not their infirmity,
It was married chastity.......................................57
Truth may seem, but cannot
be:
Beauty brag, but 'tis not
she;
Truth and beauty buried
be.................................60
To this urn let those repair
That are either true or
fair;
For these dead birds sigh
a prayer......................63
Notes
1....lay:
Song, voice.
2....shriking:
Said of a shrike, a predatory bird with a hooked beak—in
this case, an owl.
3....harbinger:
Herald of doom.
4....pre-currer:
Precursor, forerunner.
5....interdict:
Forbid, ban, block.
6....obsequy:
Funeral rite.
7....surplice:
White, loose-fitting garment worn over a cassock by priests and altar boys.
8....defunctive:
Having to do with the dead; for the dead.
9....death-divining
swan: Swan that prophesies death in its song.
10..treble-dated
crow: Long-living crow. According to an ancient belief, a crow lived
three times as long as a human being.
11..Property:
Proper individuality. It was not proper for one individual to become part
of another.
12..threne:
funeral song, dirge.
Figures
of Speech
Following are examples of
figures of speech in the poem.
Alliteration
Let
the bird of loudest lay
(line 1)
Be the death-divining
swan (line 15)
That it cried how true
a twain (line 43)
Truth and beauty
buried
be
(line 60)
Metaphor
Let the bird of loudest lay,
On the sole Arabian tree,
Herald sad and trumpet be
Comparison of the bird
to a herald and a trumpet
Paradox
Distance, and no space was
seen (line 30)
Themes
.......The
main theme of the poem is the intense love that binds two creatures to
each other, turning them into a single being. A secondary theme is the
sadness that pervades the poem.
Rhyme
.......In
each of the four-line stanzas (quatrains), the last line rhymes with the
fourth; the second line rhymes with the third. The first stanza demonstrates
the pattern.
Let the bird of
loudest lay,
On the sole Arabian tree,
Herald sad and trumpet be,
To whose sound chaste wings
obey.
Note, however, that the second
stanza has close rhymes only, unless one alters the pronunciation of harbinger,
making it har bin jeer, and the pronunciation of fiend, making it
fe
end.
.......In
the threnos, the first, second, and third lines of each stanza rhyme. However,
note that in the first stanza of the threnos, lie must be pronounced
as lee or the y in rarity and simplicity must
be pronounced as an i.
Meter
.......There
are seven syllables in each line. The stress falls on the first, third,
fifth, and seventh syllables, as the second stanza indicates:
BUT
thou, SHRIking
HARbinGER,
FOUL
pre-CURrer OF
the fiend,
AUgur
of
the FEver's
end,
TO
this troop come THOU
not near..
The metric pattern thus is trochaic
tetrameter, meaning each foot consists of a stressed syllable followed
by an unstressed syllable and that each line has four feet. However, the
last foot of each line is catalectic—that
is, it consists of only one syllable. The following presentation
of the second stanza illustrates its metric format:
.......1..................2................3............4
BUT
thou,..|..SHRI
king..|..HAR
bin..|..GER,
.......1.................2.............3............4
FOUL
pre-..|..CUR
rer..|..OF
the..|..fiend,
.....1............2............3...........4
AU
gur..|..of
the..|..FE
ver's..|..end,
.....1................2...................3..............4
TO
this..|..troop
come..|..THOU
not..|..near..
Study
Questions and Essay Topics
1...Write
a short poem that imitates the rhyme scheme of "The Phoenix and the Turtle."
The topic is open.
2...Write
a short poem that imitates the metric scheme of "The Phoenix and the Turtle."
The topic is open.
3...Write
an essay that informs the reader about ancient myths involving the phoenix.
4...In
your opinion, what is the meaning of lines 55-57:
Leaving no posterity:—
'Twas not their infirmity,
It was married chastity.
Shakespeare
Plays on DVD (or VHS)
..
Play |
Director |
Actors |
Antony
and Cleopatra (1974) |
Trevor
Nunn, John Schoffield |
Richard
Johnson, Janet Suzman |
Antony
and Cleopatra |
BBC
Production |
Jane
Lapotaire |
As
You Like It (2010) |
Thea
Sharrock |
Jack
Laskey, Naomi Frederick |
As
You Like It (1937) |
Paul
Czinner |
Henry
Ainley, Felix Aylmer |
The
Comedy of Errors |
BBC
Production |
Not
Listed |
Coriolanus |
BBC
Production |
Alan
Howard, Irene Worth |
Cymbeline |
Elijah
Moshinsky |
Claire
Bloom, Richard Johnson, Helen Mirren |
Gift
Box: The Comedies |
BBC
Production |
Various |
Gift
Box: The Histories |
BBC
Production |
Various |
Gift
Box: The Tragedies |
BBC
Production |
Various |
Hamlet
(1948) |
Laurence
Olivier |
Laurence
Olivier, Jean Simmons |
Hamlet
(1990) |
Kevin
Kline |
Kevin
Kline |
Hamlet(1991) |
Franco
Zeffirelli |
Mel
Gibson, Glenn Close |
Hamlet
(1996) |
Kenneth
Branagh |
Kenneth
Branagh, |
Hamlet
(2009) |
Gregory Doran |
David Tennant, Patrick Stewart,
Penny Downie |
Hamlet
(1964) |
John
Gielgud, Bill Colleran |
Richard
Burton, Hume Cronyn |
Hamlet
(1964) |
Grigori
Kozintsev |
Innokenti
Smoktunovsky |
Hamlet
(2000) |
Cambpell
Scott, Eric Simonson |
Campbell
Scott, Blair Brown |
Henry
V (1989) |
Kenneth
Branagh |
Kenneth
Branaugh, Derek Jacobi |
Henry
V( 1946) |
Laurence
Olivier |
Leslie
Banks, Felix Aylmer |
Henry
VI Part I |
BBC
Production |
Peter
Benson, Trevor Peacock |
Henry
VI Part II |
BBC
Production |
Not
Listed |
Henry
VI Part III |
BBC
Production |
Not
Listed |
Henry
VIII |
BBC
Production |
John
Stride, Claire Bloom, Julian Glover |
Julius
Caesar |
BBC
Production |
Richard
Pasco, Keith Michell |
Julius
Caesar (1950) |
David
Bradley |
Charlton
Heston |
Julius
Caesar (1953) |
Joseph
L. Mankiewicz |
Marlon
Brando, James Mason |
Julius
Caesar (1970) |
Stuart
Burge |
Charlton
Heston, Jason Robards |
King
John |
BBC
Production |
Not
Listed |
King
Lear (1970) |
Grigori
Kozintsev |
Yuri
Yarvet |
King
Lear (1971) |
Peter
Brook |
Cyril
Cusack, Susan Engel |
King
Lear (1974) |
Edwin
Sherin |
James
Earl Jones |
King
Lear (1976) |
Tony
Davenall |
Patrick
Mower, Ann Lynn |
King
Lear (1984) |
Michael
Elliott |
Laurence
Olivier, Colin Blakely |
King
Lear (1997) |
Richard
Eyre |
Ian
Holm |
Love's
Labour's Lost (2000) |
Kenneth
Branagh |
Kenneth
Branagh, Alicia Silverstone |
Love's
Labour's Lost |
BBC
Production) |
Not
Listed |
Macbeth
(1978) |
Philip
Casson |
Ian
McKellen, Judy Dench |
Macbeth |
BBC
Production |
Not
Listed |
The
Merchant of Venice |
BBC
Production |
Warren
Mitchell, Gemma Jones |
The
Merchant of Venice (2001) |
Christ
Hunt, Trevor Nunn |
David
Bamber, Peter De Jersey |
The
Merchant of Venice (1973) |
John
Sichel |
Laurence
Olivier, Joan Plowright |
The
Merry Wives of Windsor (1970) |
Not
Listed |
Leon
Charles, Gloria Grahame |
Midsummer
Night's Dream (1996) |
Adrian
Noble |
Lindsay
Duncan, Alex Jennings |
A
Midsummer Night's Dream (1999) |
Michael
Hoffman |
Kevin
Kline, Michelle Pfeiffer |
Much
Ado About Nothing (1993) |
Kenneth
Branaugh |
Branaugh,
Emma Thompson |
Much
Ado About Nothing (1973) |
Nick
Havinga |
Sam
Waterston, F. Murray Abraham |
Othello
(2005) |
Janet
Suzman |
Richard
Haines, John Kaki |
Othello
(1990) |
Trevor
Nunn |
Ian
McKellen, Michael Grandage |
Othello(1965) |
Stuart
Burge |
Laurence
Olivier, Frank Finlay |
Othello
(1955) |
Orson
Welles |
Orson
Welles |
Othello
(1983) |
Franklin
Melton |
Peter
MacLean, Bob Hoskins, Jenny Agutter |
Ran
(1985) Japanese Version of King Lear |
Akira
Kurosawa |
Tatsuya
Nakadai, Akira Terao |
Richard
II (2001) |
John
Farrell |
Matte
Osian, Kadina de Elejalde |
Richard
III (1912) |
André
Calmettes, James Keane |
Robert
Gemp, Frederick Warde |
Richard
III - Criterion Collection (1956) |
Laurence
Olivier |
Laurence
Olivier, Ralph Richardson |
Richard
III (1995) |
Richard
Loncraine |
Ian
McKellen, Annette Bening |
Richard
III |
BBC
Production |
Ron
Cook, Brian Protheroe, Michael Byrne |
Romeo
and Juliet (1968) |
Franco
Zeffirelli |
Leonard
Whiting, Olivia Hussey |
Romeo
and Juliet (1996) |
Baz
Luhrmann |
Leonardo
DiCaprio, Claire Danes |
Romeo
and Juliet (1976) |
Joan
Kemp-Welch |
Christopher
Neame, Ann Hasson |
Romeo
and Juliet |
BBC
Production |
John
Gielgud, Rebecca Saire, Patrick Ryecart |
The
Taming of the Shrew |
Franco
Zeffirelli |
Elizabeth
Taylor, Richard Burton |
The
Taming of the Shrew |
Kirk
Browning |
Raye
Birk, Earl Boen, Ron Boussom |
The
Taming of The Shrew |
Not
Listed |
Franklin
Seales, Karen Austin |
The
Tempest |
Paul
Mazursky |
John
Cassavetes, Gena Rowlands |
The
Tempest (1998) |
Jack
Bender |
Peter
Fonda, John Glover, Harold Perrineau, |
Throne
of Blood (1961) Macbeth in Japan |
Akira
Kurosawa |
Toshirô
Mifune, Isuzu Yamada |
Twelfth
Night (1996) |
Trevor
Nunn |
Helena
Bonham Carter |
Twelfth
Night |
BBC
Production |
Not
Listed |
The
Two Gentlemen of Verona |
BBC
Production |
John
Hudson, Joanne Pearce |
The
Winter's Tale (2005) |
Greg
Doran |
Royal
Shakespeare Company |
The
Winter's Tale |
BBC
Production |
Not
Listed |
|