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Notes and Annotation by Michael
J. Cummings..©
2006
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Type
of Work and Date of Publication
......."A
Dream Within a Dream" is a two-stanza lyric
poem that was first published in 1849. It is apparently a revision of an
earlier poem, "Imitation," published in
1827 in Tamerlane and Other Poems.
Summary,
Theme, and Commentary
.......Unfulfilled
hopes and dreams frustrate and discourage the speaker, he says in Stanza
1. Downcast, he asks, perhaps sarcastically, whether it really matters
that life has robbed him of purpose, ambition, or love, for life itself
is but a dream. To lose desiderata, therefore, is to lose nothing; what
appeared real and attainable was only an illusion. In Stanza 2, he says
that whatever he grasps—whatever thing will
satisfy his longing—slips immediately through
his fingers, like grains of sand. Plaintively, he asks God whether it is
possible to hold onto anything in life—whether
it is possible to fulfill a dream—when life
itself but a dream.
.......Whether
the direction of Poe’s life at the time that he completed the first version
of the poem, (Imitation, 1827) shaped the feelings expressed by the speaker
of the poem is matter of speculation. Certainly, he had reason to experience
frustration, disappointment, and confusion. On the one hand, the parents
of his fiancée—Sarah Elmira Royster,
to whom he had been secretly engaged—had recently
sent her away after finding out about the engagement. She eventually married
an eligible young man, Alexander Barrett Shelton. On the other hand, Poe
had run up a gambling debt of $2,500—an enormous
sum in the early 19th Century—while attending
the University of Virginia. His prodigality estranged him from his father,
who withdrew Poe from school.
.......These
events could have triggered the kind of depression and disappointment he
expresses in the poem. It is possible, too, though, that the feelings arose
solely from his inner muse.
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Whom
Is the Narrator Addressing?
.......In
the first stanza, the narrator addresses an unnamed person, beginning with
"Take this kiss upon the brow!" This person could be the old Poe–the Poe
he leaves behind when he goes to Boston after his foster father, John Allan,
withdraws him from the University of Virginia for running up a huge gambling
debt. It could also be the teenage sweetheart taken away from him by her
parents. In addition, it could be any other unnamed person, living or dead,
with whom he had formed a relationship. Finally, it could simply be a poetic
persona, a fictional creation representing shattered dreams.
Rhyme
Scheme
.......The
poem consists of nine couplets (pairs of rhyming lines) and two triplets
(groups of three rhyming lines). The opening stanza, for example, begins
with a triplet, then shifts to couplets, as follows:.
Take this kiss upon the brow!
And, in parting from you
now,
Thus much let me avow—
You are not wrong, who deem
That my days have been a
dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less
gone?
All that we see or seem
Is but a dream within a
dream.
Author
Information
.......Edgar
Allan Poe was born on January 19, 1809, in Boston. After being orphaned
at age two, he was taken into the home of a childless couple–John Allan,
a successful businessman in Richmond, Va., and his wife. Allan was believed
to be Poe’s godfather. At age six, Poe went to England with the Allans
and was enrolled in schools there. After he returned with the Allans to
the U.S. in 1820, he studied at private schools, then attended the University
of Virginia and the U.S. Military Academy, but did not complete studies
at either school.
.......After
beginning his literary career as a poet and prose writer, he married his
young cousin, Virginia Clemm. He worked for several magazines and joined
the staff of the New York Mirror newspaper in 1844. All the while,
he was battling a drinking problem. After the Mirror published his
poem “The Raven” in January 1845, Poe achieved national and international
fame. Besides pioneering the development of the short story, Poe invented
the format for the detective story as we know it today. He also was an
outstanding literary critic. Despite the acclaim he received, he was never
really happy because of his drinking and because of the deaths of several
people close to him, including his wife in 1847. He frequently had trouble
paying his debts. It is believed that heavy drinking was a contributing
cause of his death in Baltimore on October 7, 1849.
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A Dream Within a
Dream
By Edgar Allan Poe
Published in 1827
1
Take this kiss upon the
brow!
And, in parting from you
now,
Thus much let me avow—
You are not wrong, who deem
That my days
have been a dream;......5
Yet if hope has flown
away
In
a night, or in a day,
In
a vision, or in none,
Is it therefore the less
gone?
All that we see or seem
Is but a dream within a
dream............11
Notes, Stanza 1
deem,
days, dream: An example of alliteration.
As in his other poems, Poe uses this figure of speech to help maintain
rhythm and musicality. Other examples include hope
has
(Stanza 1, line 6), seen or seem
(Stanza 1, line 10), dream within
a dream (Stanza 1, line 11), hold
within my hand (Stanza 2, line
3), Grains of golden
sand (Stanza 2, line 4), While
I weep–while
I weep (Stanza 2, line 7),
and One from the pitiless wave,
(Stanza 2, line 11).
hope . . . away:
metaphor comparing hope to a bird.
2
I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand—
How few! yet how they
creep
Through my fingers to the
deep,.......17
While
I weep—while I weep!
O
God! can I not grasp
Them with a tighter clasp?
O
God! can I not save
One from the pitiless
wave?
Is all that we see or seem
But a dream within a dream?............24
Notes, Stanza 2
While
I weep—while I weep!: Anaphora, the repetition
of a word, phrase, or clause at the beginning of word groups occurring
one after the other.
O
God! can I not (lines 19, 21): Anaphora,
the repetition of a word, phrase, or clause at the beginning of word groups
occurring one after the other.
how they creep: metaphor
comparing grains of sand to a living creature.
pitiless
wave: metaphor/personification comparing the wave to a cruel
or indifferent person. |
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