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Study
Guide Prepared by Michael J. Cummings...©
2003
Revised
in 2010..©
Type
of Work
.......As
the title suggests, this Shakespeare work is a complaint poem. This type
of poem was popular in medieval and Renaissance times. Authors of complaint
poems narrated stories of unrequited love, personal difficulties, injustice,
poverty, or another social problem. Sometimes they spiced their poems with
satire. A complaint poem often appeared at the end of a collection of other
poems.
Year
of Publication
.......The
poem was published in 1609, at the end of a quarto edition featuring Shakespeare's
sonnets.
Setting
.......The
events described in the poem take place in rural England.
Characters
The
narrator: Unidentified person. He observes a woman complaining about
a man who seduced her, then left her.
The
woman: Person who yields to the charms of the seducer.
Old
Man: Person who listens to the woman's story.
The
Seducer: Handsome young man with a clever tongue who treats women as
objects for satisfying his lust.
Verse
Format
.......The
poem is in rhyme royal (or rime royal), a format in which each stanza has
seven lines and the metric pattern is iambic pentameter. In rhyme royal,
the rhyme scheme is ababbcc.
.......Geoffrey
Chaucer, author of the Canterbury Tales, pioneered this rhyme scheme
in England in his works Troilus and Criseyde and
The Parlement
of Foules. Rhyme royal was going out of fashion when
A Lover’s Complaint
was published, although later poets–including John Milton in the seventeenth
century and John Masefield in the twentieth–revived it.
.......The
first stanza of the poem demonstrates the rhyme scheme:
.From
off a hill whose concave womb re-worded
A plaintful
story from a sistering vale,
My spirits
to attend this double voice accorded,
And down
I laid to list the sad-tun’d tale;
Ere long
espied a fickle maid full pale,
Tearing
of papers, breaking rings a-twain,
Storming
her world with sorrow’s wind and rain.
Lines 4 and
5 demonstrate the prevailing metric pattern:
.........1...............2..............3..............4................5
And
DOWN..|..I
LAID..|..to
LIST..|..the
SAD-..|..tun'd
TALE
........1...............2...............3..............4..............5
Ere
LONG..|..es
PIED..|..a
FICK..|..le
MAID..|..full
PALE
Authorship
Question
.......Because
parts of the poem appear “un-Shakespearean” in style, some researchers
hold open the possibility that another author wrote the poem. However,
it was not unusual for Shakespeare to alter his style. Moreover, although
un-Shakespearean passages do exist in the poem–passages which Algernon
Charles Swinburne ridiculed as bombastic–a goodly passel of typically Shakespearean
passages grace the poem. Swinburne acknowledged these passages as exquisite.
And here’s something more: The first stanza of A Lover’s Complaint
resembles the first stanza of The Rape of Lucrece in structure and
word choice. Other similarities exist in other stanzas. Below is a comparison
of the first four lines of A Lover's Complaint and the first four
lines of The Rape of Lucrece. Note the similarities:
A
Lover's Complaint
.
From
off a hill whose concave womb reworded
A
plaintful story from a sistering vale,
My
spirits to attend this double voice accorded,
And
down I laid to list the sad-tuned tale;
.
The
Rape of Lucrece
.
From
the besieged Ardea all in post,
Borne
by the trustless wings of false desire,
Lust-breathed
Tarquin leaves the Roman host,
And
to Collatium bears the lightless fire
Summary
of the Poem
By
Michael J. Cummings...©
2003
..
.......When
woeful cries echo from a hill, the poem’s narrator cocks an ear to listen.
By and by, he spies in the distance the source of the lamentations: a maid
wearing a straw hat against the bright sunlight. Pale and careworn, she
is crying into a handkerchief. Although past her youth, she retains a glimmer
of youthful beauty. Her distress attracts a “reverend man” grazing cattle
nearby. Leaning on a sturdy ashen staff, he seats himself a modest distance
from her and asks what troubles her. It may be that, as a man of many years
and much experience, he may have the wisdom to alleviate her grief.
"Father,'
she says, "though in me you behold
The
injury of many a blasting hour,
Let
it not tell your judgment I am old;
Not
age, but sorrow, over me hath power:
I
might as yet have been a spreading flower,
Fresh
to myself, If I had self-applied
Love
to myself and to no love beside."
.......She
then tells her listener how a young man whose “qualities were beauteous
as his form” wooed her, first winning her “affections in his charmed power,”
then stealing “all my flower.” In other words, the young man had seduced
her. His methods, she says, were “foul beguiling” and deceits “gilded in
his smiling.” Afterward, he abandoned her. The poem ends when the maid
bitterly denounces the wrongdoer while acknowledging, paradoxically, that
she would yet again succumb to his wiles if the opportunity presented itself:
"O,
that infected moisture of his eye,
O,
that false fire which in his cheek so glow'd,
O,
that forced thunder from his heart did fly,
O,
that sad breath his spongy lungs bestow'd,
O,
all that borrow'd motion seeming owed,
Would
yet again betray the fore-betray'd,
And
new pervert a reconciled maid!"
The old
man offers no response.
A
Lover's Complaint
By
William Shakespeare
Text
and Explanatory Notes
1
From
off a hill whose concave womb re-worded
A
plaintful story1
from a sistering vale2,
My spirits
to attend this double voice3
accorded,
And down
I laid to list4 the
sad-tun’d tale;
Ere long
espied a fickle maid full pale,...............................5
Tearing
of papers5, breaking
rings a-twain,
Storming
her world with sorrow’s wind and rain.
2
Upon
her head a platted6 hive
of straw,7
Which
fortified her visage from the sun,
Whereon
the thought might think sometime it saw.............10
The carcass
of a beauty spent and done:
Time
had not scythed8
all that youth begun,
Nor youth
all quit; but, spite of heaven’s fell9
rage,
Some
beauty peep’d through lattice10
of sear’d11
age.
3
Oft did
she heave her napkin to her eyne,12.......................15
Which
on it had conceited characters,
Laundering
the silken figures in the brine
That
season’d
woe13 had pelleted
in tears,
And often
reading what content it bears;
As often
shrieking
undistinguish’d woe14............................20
In clamours
of all size, both high and low.
4
Sometimes
her levell’d eyes their carriage ride,
As
they did battery to the spheres intend;15
Sometime
diverted, their poor balls are tied
To the
orbed earth; sometimes they do extend....................25
Their
view right on; anon their gazes lend
To every
place at once, and nowhere fix’d,
The mind
and sight distractedly commix’d.
5
Her hair,
nor loose nor tied in formal plat,16
Proclaim’d
in her a careless hand of pride;...........................30
For some,
untuck’d, descended her sheav’d hat,
Hanging
her pale and pined cheek beside;
Some
in her threaden fillet17
still did bide,
And true
to bondage would not break from thence
Though
slackly braided in loose negligence..........................35
6
A thousand
favours from a maund18
she drew
Of amber,
crystal, and of beaded jet,
Which
one by one she in a river threw,
Upon
whose weeping margent19
she was set;
Like
usury, applying wet to wet,20........................................40
Or monarch’s
hands that let not bounty fall
Where
want cries some, but where excess begs all.
7
Of folded
schedules21
had she many a one,
Which
she perus’d, sigh’d, tore, and gave the flood;
Crack’d
many
a ring of posied gold and bone,........................45
Bidding
them find their sepulchres in mud;
Found
yet more letters sadly penn’d in blood,
With
sleided
silk feat22 and
affectedly
Enswath’d,
and seal’d to curious secrecy.
8
These
often bath’d she in her fluxive23
eyes,..........................50
And often
kiss’d, and often ’gan to tear;
Cried
"O false blood! thou register of lies,
What
unapproved24
witness dost thou bear;
Ink
would have seem’d more black and damned here."25
This
said, in top of rage the lines she rents,26........................55
Big discontent
so breaking their contents.
9
A reverend
man that graz’d his cattle nigh—
Sometime27
a blusterer, that the ruffle28knew
Of court,
of city, and had let go by
The swiftest
hours, observed as they flew—...........................60
Towards
this afflicted fancy29
fastly30
drew;
And,
privileg’d
by age,31 desires
to know
In brief
the grounds and motives of her woe.
10
So slides
he down upon his grained bat,32
And comely-distant33
sits he by her side;...............................65
When
he again desires her, being sat,
Her grievance
with his hearing to divide:
If that
from him there may be aught34
applied
Which
may her suffering ecstasy assuage,35
’Tis
promis’d in the charity of age...........................................70
11
‘Father,’
she says, ‘though in me you behold
The injury
of many a blasting hour,36
Let it
not tell your judgment I am old;
Not age,
but sorrow, over me hath power:
I might
as yet have been a spreading flower,............................75
Fresh
to myself, if I had self-applied
Love
to myself and to no love beside.
12
‘But,
woe is me! too early I attended
A youthful
suit,37 it was
to gain my grace,
Of one
by nature’s outwards so commended,...........................80
That
maidens’
eyes stuck over all his face.38
Love
lack’d a dwelling, and made him her place;
And when
in his fair parts she did abide,
She was
new lodg’d and newly deified.
13
‘His
browny locks did hang in crooked curls, 85
And every
light occasion of the wind
Upon
his lips their silken parcels hurls.
What’s
sweet to do, to do will aptly find:39
Each
eye that saw him did enchant the mind,
For on
his visage was in little drawn.........................................90
What
largeness thinks in Paradise was sawn.40
14
‘Small
show of man was yet upon his chin;
His phoenix41
down began but to appear
Like
unshorn velvet on that termless42
skin
Whose
bare
out-bragg’d the web it seem’d to wear;43................95
Yet show’d
his visage by that cost44
more dear,45
And nice
affections wavering stood in doubt
If best
were as it was, or best without.
15
‘His
qualities were beauteous as his form,
For maiden-tongu’d46
he was, and thereof free;........................100
Yet,
if men mov’d47
him, was he such a storm
As oft
’twixt May and April is to see,
When
winds breathe sweet, untidy though they be.
His rudeness
so with his authoriz’d youth
Did
livery falseness in a pride of truth.48...................................105
16
‘Well
could he ride, and often men would say
“That
horse his mettle from his rider takes:
Proud
of subjection, noble by the sway,
What
rounds, what bounds, what course, what stop he makes!”
And controversy
hence a question takes,.................................110
Whether
the horse by him became his deed,
Or he
his manage by the well-doing steed.
17
‘But
quickly on this side the verdict went:
His real
habitude49
gave life and grace
To appertainings
and to ornament,50.........................................115
Accomplish’d
in himself, not in his case:
All aids,
themselves made fairer by their place,
Came
for additions; yet their purpos’d trim
Piec’d
not his grace, but were all grac’d by him.
18
‘So on
the tip of his subduing tongue.........................................120
All kinds
of arguments and question deep,
All replication51
prompt, and reason strong,
For his
advantage still did wake and sleep:
To make
the weeper laugh, the laugher weep,
He had
the dialect and different skill,..........................................125
Catching
all passions in his craft of will:52
19
‘That
he did in the general bosom reign
Of young,
of old; and sexes both enchanted,
To dwell
with him in thoughts, or to remain
In personal
duty, following where he haunted:..............................130
Consents
bewitch’d,53 ere
he desire, have granted;
And dialogu’d
for him what he would say,
Ask’d
their own wills, and made their wills obey.
20
‘Many
there were that did his picture get,
To serve
their eyes, and in it put their mind;.................................135
Like
fools that in the imagination set
The goodly
objects which abroad they find
Of lands
and mansions, theirs in thought assign’d;54
And labouring
in more pleasures to bestow them
Than
the true gouty landlord which doth owe55
them.....................140
21
‘So many
have, that never touch’d his hand,
Sweetly
suppos’d them mistress of his heart.
My woeful
self, that did in freedom stand,
And
was my own fee-simple,56
not in part,
What
with his art in youth, and youth in art,..................................145
Threw
my affections in his charmed power,
Reserv’d
the stalk and gave him all my flower.
22
‘Yet
did I not, as some my equals did,
Demand
of him, nor being desired yielded;
Finding
myself
in honour so forbid,57.............................................150
With
safest distance I mine honour shielded.
Experience
for me many bulwarks builded
Of
proofs new-bleeding,58
which remain’d the foil59
Of this
false jewel, and his amorous spoil.
23
‘But,
ah! who ever shunn’d by precedent........................................155
The destin’d
ill she must herself assay?60
Or forc’d
examples, ’gainst her own content,
To put
the by-pass’d perils in her way?
Counsel
may stop awhile what will not stay;
For when
we rage, advice is often seen..........................................160
By blunting
us to make our wits more keen.
24
‘Nor
gives it satisfaction to our blood,
That
we must curb it upon others’ proof;61
To be
forbid the sweets that seem so good,
For fear
of harms that preach in our behoof.....................................165
O appetite!
from judgment stand aloof;
The one
a palate hath that needs will taste,
Though
Reason weep, and cry “It is thy last.”
25
‘For
further I could say “This man ’s untrue,”
And knew
the patterns of his foul beguiling;.....................................170
Heard
where his plants in others’ orchards grew,
Saw how
deceits were gilded in his smiling;
Knew
vows were ever brokers to defiling;
Thought
characters and words merely but art,
And bastards
of his foul adulterate heart..........................................175
26
‘And
long upon these terms I held my city,
Till
thus he ’gan besiege me: “Gentle maid,
Have
of my suffering youth some feeling pity,
And
be not of my holy vows afraid:62
That’s
to ye sworn to none was ever said;........................................180
For feasts
of love I have been call’d unto,
Till
now did ne’er invite, nor never woo.
27
‘“All
my offences that abroad you see
Are errors
of the blood, none of the mind;
Love
made them not: with acture63
they may be,...............................185
Where
neither party is nor true nor kind:64
They
sought their shame that so their shame did find,
And
so much less of shame in me remains,65
By how
much of me their reproach contains.
28
‘“Among
the many that mine eyes have seen,....................................190
Not one
whose flame my heart so much as warm’d,
Or my
affection put to the smallest teen,66
Or any
of my leisures ever charm’d:
Harm
have I done to them, but ne’er was harm’d;
Kept
hearts in liveries, but mine own was free,....................................195
And reign’d,
commanding in his monarchy.
29
‘“Look
here, what tributes wounded fancies sent me,
Of paled
pearls and rubies red as blood;
Figuring
that they their passions likewise lent me
Of grief
and blushes, aptly understood................................................200
In bloodless
white and the encrimson’d mood;
Effects
of terror and dear modesty,
Encamp’d
in hearts, but fighting outwardly.
30
‘“And,
lo! behold these talents67
of their hair,
With
twisted metal amorously impleach’d,68........................................205
I have
receiv’d from many a several fair,
Their
kind acceptance weepingly beseech’d,
With
the annexions69
of fair gems enrich’d,
And deep-brain’d
sonnets, that did amplify
Each
stone’s dear nature, worth, and quality........................................210
31
‘“The
diamond; why, ’twas beautiful and hard,
Whereto70
his invis’d71
properties did tend;
The deep-green
emerald, in whose fresh regard
Weak
sights their sickly radiance do amend;
The heaven-hued
sapphire and the opal blend........................................215
With
objects manifold: each several stone,
With
wit well blazon’d,72
smil’d or made some moan.
32
‘“Lo!
all these trophies of affections hot,
Of
pensiv’d and subdu’d desires the tender,73
Nature
hath charg’d me that I hoard them not,........................................220
But yield
them up where I myself must render,
That
is, to you, my origin and ender;74
For these,
of
force,75 must
your oblations76
be,
Since
I their altar, you enpatron me.
33
‘“O!
then, advance of yours that phraseless77
hand,..................................225
Whose
white weighs down the airy scale of praise;78
Take
all these similes to your own command,
Hallow’d
with sighs that burning lungs did raise;
What
me your minister,79
for you obeys,
Works
under you; and to your audit80
comes...........................................230
Their
distract parcels81
in combined sums.
34
‘“Lo!
this device was sent me from a nun,
Or sister
sanctified, of holiest note;
Which
late her noble suit82
in court did shun,
Whose
rarest havings made the blossoms dote;.......................................235
For she
was sought by spirits of richest coat,83
But kept
cold distance, and did thence remove,
To spend
her living in eternal love.
35
‘“But,
O my sweet! what labour is ’t to leave
The
thing we have not,84
mastering what not strives,....................................240
Playing
the place which did no form receive,85
Playing
patient sports in unconstrained gyves?86
She
that her fame so to herself contrives,87
The scars
of battle ’scapeth by the flight,88
And makes
her absence valiant, not her might..........................................245
36
‘“O!
pardon me, in that my boast is true;
The accident
which brought me to her eye
Upon
the moment did her force subdue,
And now
she would the caged cloister fly;
Religious
love put out Religion’s eye:........................................................250
Not to
be tempted, would she be immur’d,
And now,
to tempt, all liberty procur’d.
37
‘“How
mighty then you are, O! hear me tell:
The broken
bosoms that to me belong
Have
emptied all their fountains in my well,................................................255
And mine
I pour your ocean all among:
I strong89
o’er them, and you o’er me being strong,
Must
for your victory us all congest,90
As compound
love to physic your cold breast.
38
‘“My
parts91
had power to charm a sacred nun,...........................................260
Who,
disciplin’d, ay, dieted92
in grace,
Believ’d
her eyes when they to assail begun,
All vows
and consecrations giving place.
O most
potential love! vow, bond, nor space,
In thee
hath neither sting, knot, nor confine,...............................................265
For thou
art all, and all things else are thine.
39
‘“When
thou impressest, what are precepts worth
Of stale
example? When thou wilt inflame,
How coldly
those impediments stand forth
Of wealth,
of filial fear, law, kindred, fame!..................................................270
Love’s
arms are peace, ’gainst rule, ’gainst sense, ’gainst shame,
And sweetens,
in the suffering pangs it bears,
The aloes
of all forces, shocks, and fears.
40
‘“Now
all these hearts that do on mine depend,
Feeling
it break, with bleeding groans they pine;.........................................275
And supplicant
their sighs to you extend,
To leave
the battery that you make ’gainst mine,
Lending
soft audience to my sweet design,
And credent
soul to that strong-bonded oath
That
shall prefer and undertake my troth.”...................................................280
41
‘This
said, his watery eyes he did dismount,
Whose
sights till then were levell’d on my face;
Each
cheek a river running from a fount
With
brinish current downward flow’d apace.
O! how
the channel to the stream gave grace;.............................................285
Who glaz’d
with crystal gate the glowing roses
That
flame through water which their hue encloses.
42
‘O father!
what a hell of witchcraft lies
In the
small orb of one particular tear,
But with
the inundation of the eyes.............................................................290
What
rocky heart to water will not wear?
What
breast so cold that is not warmed here?
O cleft
effect! cold modesty, hot wrath,
Both
fire from hence and chill extincture hath.
43
‘For,
lo! his passion, but an art of craft,.......................................................295
Even
there resolv’d my reason into tears;
There
my white stole of chastity I daff’d,93
Shook
off my sober guards and civil fears;
Appear
to him, as he to me appears,
All melting;
though our drops this difference bore,........................................300
His poison’d
me, and mine did him restore.
44
‘In him
a plenitude of subtle matter,
Applied
to cautels,94
all strange forms receives,
Of burning
blushes, or of weeping water,
Or swounding95
paleness; and he takes and leaves,......................................305
In either’s
aptness, as it best deceives,
To blush
at speeches rank, to weep at woes,
Or to
turn white and swound at tragic shows:
45
‘That
not a heart which in his level came
Could
’scape the hail of his all-hurting aim,..................................................310
Showing
fair nature is both kind and tame;
And,
veil’d in them, did win whom he would maim:
Against
the thing he sought he would exclaim;
When
he most burn’d in heart-wish’d luxury,
He preach’d
pure maid, and prais’d cold chastity..........................................315
46
‘Thus
merely with the garment of a Grace
The naked
and concealed fiend he cover’d;
That
the unexperient gave the tempter place,
Which
like a cherubin96
above them hover’d.
Who,
young and simple, would not be so lover’d?.........................................320
Ay me!
I fell; and yet do question make
What
I should do again for such a sake.
47
‘O! that
infected moisture of his eye,
O! that
false fire which in his cheek so glow’d,
O! that
forc’d thunder from his heart did fly,..................................................325
O! that
sad breath his spongy lungs bestow’d,
O! all
that borrow’d motion seeming ow’d,
Would
yet again betray the fore-betray’d,
And new
pervert a reconciled maid.’
Notes
1.....concave
. . . story: The cave-like formation in
the hill echoed the story.
2.....sistering
vale: Neighboring valley.
3.....double
voice: Echoing voice.
4.....list:
Listen to.
5.....papers:
Love letters.
6.....platted:
Plaited, braided.
7.....hive
. . . straw: Straw hat shaped like a hive.
8.....scythed:
Cut down, taken away.
9.....fell:
Fierce.
10...lattice:
Wrinkles.
11...sear'd:
Withered, dried up.
12...eyne:
Eyes.
13...season'd
woe: Sadness seasoned with the salt from
tears.
14...shrieking
. . . woe: Crying out words that the speaker
cannot make out.
15...eyes
. . . intend: Her gaze seems like a weapon
that she intended to fire at the sky.
16...plat:
Braid.
17...fillet:
Band worn around the head to hold the hair in place.
18...favours
. . . maund: Gifts from a basket.
19...margent:
Bank, shore.
20...Applying
. . . wet: Letting her tears fall into
the water.
21...schedules:
Love notes, love letters, etc.
22...sleided
. . . Feat: Neat band of silk.
23...fluxive:
Flowing with tears.
24...unapproved:
Unproven. (The writer of the letters and notes did not prove his love for
her.)
25...Ink
. . . here: The ink should be blacker
to represent the man's offenses.
26...rents:
Tears.
27...Sometime:
At one time, formerly.
28...ruffle:
Arrogant or pretentious behavior.
29...afflicted
fancy: Woeful woman.
30...fastly:
Close.
31...privileg'd
by age: The "reverend man" is elderly.
32...slides
. . . bat: Slides his hands down the shaft
of his staff.
33...comely-distant:
Modestly or properly distant.
34...aught:
Anything.
35...assuage:
Ease, lessen.
36...blasting
hour: Time when her hopes were dashed.
37...youthful
suit: Attentions of a young man
38...maidens'
. . .face: Young women stared at the handsome
man.
39...What's
. . . find: People will eagerly participate
in what is enjoyable to do.
40...On
his visage . . . sawn: On his face was
a small picture of what would be seen (sawn) in Paradise.
41...phoenix
down: newly grown hair; fuzz.
42...termless:
Youthful; having many years to live.
43...bare
. . . wear: The bare skin was more attractive
than the short growth of hair.
44...cost:
The stubble
45...dear:
Attractive.
46...maiden-tongu'd:
Soft-spoken.
47...mov'd:
Aroused his wrath; angered.
48...Did
. . . truth: His appearance hid his falseness.
49...real
habitude: True self, true nature; real
personality.
50...gave
. . . ornament: His superior qualities
made his attire and ornaments look better.
51...replication:
Answers.
52...craft
of will: Cleverness in speaking; persuasiveness.
53...Consents
bewitch'd: The listeners were enchanted
by his words.
54...Theirs
. . . assign'd: The listeners believe
what he says.
55...owe:
Own.
56...And
. . . simple: She was in possession of
herself.
57...myself
. . . forbid: Her sense of honor forbade
her to yield to his charms.
58...Of
. . . bleeding: She was aware of the ruination
he brought on other young ladies.
59...foil:
Thin piece of metal on which an inferior jewel is placed to increase its
glitter.
60...she
. . . assay: She must judge the man for
herself; what others say is not enough.
61...That
. . . proof: We should not reach a conclusion
on the proof presented by others.
62...And
. . . afraid: Don't doubt the vows of
love I make to you.
63...acture:
Acts of passion.
64...Where
. . . kind: When neither party is in love.
65...And
. . . remains: Because I was not in love,
I am not ashamed.
66...put
. . . teen: Caused the smallest sadness
or sorrow (teen).
67...talents:
Prizes, tokens.
68...impleach'd:
twined, intertwined, entwined, coiled.
69...annexions:
additions.
70...Whereto:
Toward what place? For what purpose?
71...invis'd:
Invisible, undetectable.
72...With
. . . blazon'd: With descriptions blazoned
in the sonnets (mentioned in line 209).
73...Of
. . . tender: Given out of disheartened
and subdued desires.
74...ender:
Conclusion, completion.
75...of
force: Necessarily.
76...oblations:
Gifts, offerings.
77...phraseless:
So beautiful that it is beyond description.
78...Whose
. . . praise: The whiteness, so beautiful,
cannot be weighed with mere words.
79...minister:
Attendant, servant.
80...to
. . . audit: To your attention.
81...distract
parcels: Discrete, or separate, items.
82...suit:
Appearance.
83...spirits
. . . coat: Highborn persons; persons
with a coat of arms.
84...what
labour . . . not: How difficult is it
to give up something that we did not have in the first place? The young
man is being sarcastic.
85...Playing
. . . receive: This means, in effect,
that you cannot take credit for sacrificing something that you never had.
86...Playing
. . . gyves: Pretending to suffer as captives
even though we have never been placed in shackles (gyves).
87...She
. . . contrives: She who fashions a reputation.
88...scars
. . . flight: Runs away rather than standing
fast and resisting temptation.
89...strong:
Triumphant.
90...Must
. . . congest: Believing yourself victorious
over me, you must gather us all together and use us as a cure for your
coldness.
91...parts:
Allure.
92...dieted:
Steeped; regimented.
93...daff'd:
Removed.
94...cautels:
Tricks, deceptions.
95...swounding:
Swooning.
96...cherubin:
Cherubim (angels).
.
.
Themes
Complaint
of a Wronged Woman
The
countryside echoes with "clamours of all
size, both high and low" (line 21) of a woman who has been seduced, then
abandoned. When an elderly farmer asks her what is wong, she complains
to him about the young philanderer
who used her.
Deceit
The
young man used deception, couched in clever words, to persuade the lady
to yield to him. She says that he had "on the tip of his subduing tongue
/ All kinds of arguments and question deep, / All replication prompt, and
reason strong" (lines 121-122).
Fickleness
In
spite of her bitterness and anger against the devious young man, the woman
expresses a wish at the end of the poem that the young man would "new pervert
a reconciled maid."
Figures
of Speech
Following are examples of
figures of speech in the poem.
Alliteration
a
fickle
maid full
pale (line 5)
Hanging
her pale
and pined
cheek beside (line 32)
crooked
curls
(line 85)
So
on the tip
of his subduing
tongue
(line 120)
Anaphora
What
rounds, what
bounds, what
course, what
stop he makes!”
Love’s
arms are peace, ’gainst
rule, ’gainst
sense, ’gainst
shame,
‘O!
that infected moisture of his eye,
O!
that false fire which in his cheek so
glow’d,
O!
that forc’d thunder from his heart did
fly,
O!
that sad breath his spongy lungs bestow’d,
O!
all that
borrow’d motion seeming ow’d
Hyperbole
A
thousand favours from a maund she drew (line 36)
Metaphor
Storming
her world with sorrow’s wind and rain (line 7)
Comparison
of the woman's emotions with the wind and rain of a storm
Upon her
head a platted hive
of straw (line 8)
Comparison
of the woman's hat to a hive
Some beauty
peep’d through lattice of sear’d age (line 14)
Comparison
of the woman's wrinkles to lattice
I might
as yet have been a spreading flower.(line
75)
The woman compares herself
to a flower.
this false
jewel (line 154)
Comparison
of the young man to a false gem
Paradox
blunting
us to make our wits more keen. (line 161)
Personification
Though
Reason weep, and cry “It is thy last.” (line 168)
Comparison
of reason to a person
Simile
His
phoenix down began but to appear
Like
unshorn velvet on that termless skin (line 93-94)
Comparison
of the young man's facial hair to velvet
rubies
red as blood (line 198)
Comparison
of rubies to blood
.
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