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By John Keats (1795-1821) A Study Guide Study Guide Prepared by Michael J. Cummings...© 2011 ......."Ode To Psyche" is a romantic ode, a dignified but highly lyrical (emotional) poem in which the author speaks to a person or thing absent or present. In this famous ode, the speaker addresses Psyche, a beautiful princess beloved of Cupid, the god of love. The romantic ode was at the pinnacle of its
popularity in the nineteenth century. It was the result of an authors deep meditation on his subject. Composition and Publication Dates .......John Keats completed "Ode To Psyche" in 1819. The London firm of Taylor and Hessey published the ode in 1820 as part of a collection entitled Lamia, Isabella, The Eve of St Agnes, and Other Poems. Source and Background Information .......Keats derived inspiration for "Ode to Psyche" from the story of Cupid and Psyche in The Golden Ass, a prose narrative by Lucius Apuleius (AD 124-170). In Books 4 to 6 of The Golden Ass, thieves kidnap a maiden named Charite and take her to their den. When the frightened girl cries
ceaselessly, the thieves command a compatriot, an old woman, to pacify her. The old woman then tells Charite the story of Cupid and Psyche. ......."Ode to Psyche" glorifies the undying love of Psyche and Cupid and perhaps Keats's love for Fanny Brawne. In the poem, the speaker presents Psyche as an ideal woman who achieves the status of immortal goddess through her love for Cupid. Because she is a newcomer to the abode of the gods, no one has erected a temple or an altar in her honor. She has no choir and No voice, no lute, no pipe, no incense sweetFrom chain-swung censer teeming; No shrine, no grove, no oracle, no heat Of pale-mouth'd prophet dreaming. (lines 32-35)Consequently, says the speaker, he will build a temple to Psyche in his mind and act as her priest. In his mental picture will be mountains, streams, bees, birds, flowers, and a "bright torch, and a casement ope at night, / To let the warm Love in!" (lines 66-67). .......The passionate language of the poem reflects the passionate love Keats felt for Fanny Brawne, whom he met in 1818. In the spring of 1819, she and Keats became neighbors and several months later pledged to marry. On October 13, 1819, he wrote her a letter from his London residence, 25 College Street. In it, Keats told Miss Brawne thatI cannot exist without you - I am forgetful of every thing but seeing you again - my Life seems to stop there - I see no further. You have absorb'd me. I have a sensation at the present moment as though I was dissolving - I should be exquisitely miserable without the hope of soon seeing you. I should be afraid to separate myself far from you. . . . I have been astonished that Men could die Martyrs for religion - I have shudder'd at it - I shudder no more - I could be martyr'd for my Religion - Love is my religion - I could die for that - I could die for you. My Creed is Love and you are its only tenet - You have ravish'd me away by a Power I cannot resist. (Scudder, Horace E., ed. The Complete Poetical Words and Letters of John Keats. Boston: Houghton, 1899.)When Keats wrote "Ode to Psyche" and later his letter to Fanny Brawne, he was suffering from a deadly affliction, tuberculosis. Perhaps he intended his ode to immortalize his feelings, just as Jupiter immortalized psyche. .......The poem contains variations in the end rhyme, meter, and per-stanza line count. Keats may have intended the technical irregularities to reflect the skipped heartbeats and emotional ups and downs of passionate love. Line Count .......The line count is as follows: first stanza, 23; second stanza, 12; third stanza, 14; and fourth stanza, 18. Meter .......Most of the lines in the poem contain ten syllables each. The format in these lines is iambic pentameter. However, at least three lines in each stanza contain six or fewer syllables. The format in these lines is iambic trimeter and, in one instance, iambic dimeter. Following are examples of the metric format. Iambic Pentameter: Lines 1 and 2.....1................2.....................3..................4...................5 O GOD..|..dess! HEAR..|..these TUNE..|..less NUM..|..bers, WRUNG ........1..................2..................3................4.................5 Iambic Trimeter: Line 12 Iambic Dimiter: Line 23 .......The end rhyme varies, and no two stanzas are alike in their rhyme schemes. A few final syllables are orphans, having no rhyming partners. Here is the first stanza with rhyming pairs highlighted. Words that do not rhyme are underlined. O Goddess! hear these tuneless numbers, wrungBy sweet enforcement and remembrance dear, And pardon that thy secrets should be sung Even into thine own soft-conchèd ear: Surely I dream'd to-day, or did I see 5 The wingèd Psyche with awaken'd eyes? I wander'd in a forest thoughtlessly, And, on the sudden, fainting with surprise, Saw two fair creatures, couchèd side by side In deepest grass, beneath the whisp'ring roof 10 Of leaves and trembled blossoms, where there ran A brooklet, scarce espied: 'Mid hush'd, cool-rooted flowers, fragrant-eyed, Blue, silver-white, and budded Tyrian They lay calm-breathing on the bedded grass; 15 Their arms embracèd, and their pinions too; Their lips touch'd not, but had not bade adieu,7 As if disjoinèd by soft-handed slumber, And ready still past kisses to outnumber At tender eye-dawn of aurorean love: 20 The wingèd boy I knew; But who wast thou, O happy, happy dove? His Psyche true! Internal Rhyme .......The poem also contains internal rhyme. Here are examples. O Goddess! hear these tuneless numbers, wrung (line 1)By sweet enforcement and remembrance dear (line 2) SurelyI dream'd to-day, or did I see (line 5) In deepest grass, beneath the whisp'ring roof (line 10) Of leaves and trembled blossoms, where there ran (line 11) Yes, I will be thy priest, and build a fane (line 50) And in the midst of this wide quietness (line 58) And there shall be for thee all soft delight (line 64) A bright torch, and a casement ope at night (line 66) O Goddess! hear these tuneless numbers,1wrung By sweet enforcement and remembrance dear, And pardon that thy secrets should be sung Even into thine own soft-conchèd2ear: Surely I dream'd to-day, or did I see 5 The wingèd Psyche3with awaken'd eyes? I wander'd in a forest thoughtlessly, And, on the sudden, fainting with surprise, Saw two fair creatures, couchèd side by side In deepest grass, beneath the whisp'ring roof 10 Of leaves and trembled blossoms, where there ran A brooklet,4scarce espied: 'Mid hush'd, cool-rooted flowers, fragrant-eyed, Blue, silver-white, and budded Tyrian5 They lay calm-breathing on the bedded grass; 15 Their arms embracèd, and their pinions6too; Their lips touch'd not, but had not bade adieu,7 As if disjoinèd by soft-handed slumber, And ready still past kisses to outnumber8 At tender eye-dawn of aurorean9love: 20 The wingèd boy10I knew; But who wast thou, O happy, happy dove? His Psyche true! O latest-born11and loveliest vision far O brightest! though too late for antique vows,16 Yes, I will be thy priest, and build a fane19 Notes .......Psyche, the name of the young woman glorified in the poem, is also the Greek word for soul. Thus, line 23 (His Psyche true!) has a double meaning: Psyche is Cupid's beloved. And, because he loves her intensely, she is also his soul. .......Following are examples of figures of speech in the poem. (For definitions of figures of speech, click here.) Alliteration And pardon that thy secrets should be sung (line 3)Surely I dream'd to-day, or did I see (line 5) The wingèd Psyche with awaken'd eyes? (line 6) Saw two fair creatures, couchèd side by side (line 9) O latest-born and loveliest vision far (line 24) Of pale-mouth'd prophet dreaming (line 35) When holy were the haunted forest boughs (line 38) I see, and sing, by my own eyes inspired (line 43)AnaphoraNor altar heap'd with flowers; Nor Virgin-choir to make delicious moan (lines 29-30) No voice, no lute, no pipe, no incense sweet (line 32) No shrine, no grove, no oracle, no heat (line 34) Thy voice, thy lute, thy pipe, thy incense sweet (line 46) Thy shrine, thy grove, thy oracle, thy heat (line 48) With the wreath'd trellis of a working brain, The speaker addresses Psyche.AssonanceO Goddess! hear these tuneless numbers, wrung(line 1) And in the midst of this wide quietness (line 58)Metaphor whisp'ring roof 10 Of leaves and trembled blossoms Comparison of treetops to a roof But who wast thou, O happy, happy dove? (line 23) Vesper, amorous glow-worm of the sky (line 14) Of all Olympus' faded hierarchy! Fairer than Phoebe's sapphire-region'd star (lines 24-26) Comparison of Psyche to a starStudy Questions and Writing Topics
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